"This book offers an original history of socialist Bucharest, Romania, between 1965 and 1989. It addresses housing as gendered infrastructure, delivering ‘communist modernity’ through the control of domestic life and maternity. Yet what was the subjective response to these transformations? How do we as scholars access them? By drawing on Walter Benjamin’s account of urban phantasmagoria and moving between archives, interviews, art and film, Statica produces an extraordinarily rich analysis of how (female) subjects experienced, imagined, and responded to socialist modernization – as fragmented and conflictual – a brilliant account relevant to all scholars of twentieth-century housing and urbanism."Barbara Penner, Professor of Architectural Humanities, UCL"Urban Phantasmagorias is Iulia Statica’s theoretically sophisticated and empirically rich examination of how the infrastructures of communist modernity in Bucharest produced a specific female subject. Collectively imagined as workers, wives, and mothers, women in Ceaușescu’s Romania found their bodies and identities colonized by a state willing to aggressively expropriate their productive and reproductive labor. This process was accelerated by deliberate projects to nuclearize the traditional extended family through an architectural reimagining of urban living. Especially fascinating are the thick descriptions of typical communist homes and the ways that physical spaces shaped Romanian women’s ideas of "modern" domesticities."Kristen Ghodsee, Professor and Chair of Russian and East European Studies, University of Pennsylvania"In this masterly and well-argued Urban Phantasmagorias, Iulia Statica does more than unveiling the layers and fragments of Bucharest’s communist modernity and domesticities. She turns Walter Benjamin and, in the process, urban theory upside down, by juxtaposing Benjamin’s musing on urban Paris, on the one hand, and on the other, Bucharest longing for a future modernity, which is already our past, and a past Statica carefully reaches through a critical archeology of urban fragmentation."António Tomás, University of Johannesburg, author of In the Skin of the City: Spatial Transformation in Luanda