Unveiling Desire

DEVALEENA DAS is a lecturer in the Department of Women’s and Gender Studies at the University of Wisconsin-Madison.COLETTE MORROW is an associate professor of English at Purdue University, Northwest in Hammond, Indiana. She is the co-editor (with Terri Ann Frederick) of the reader Getting in is Not Enough: Women and the Global Workplace, and a former president of the National Women's Studies Association.

• CONTENTSForewordNawal El-Saadawi  IntroductionDevaleena Das and Colette Morrow  Part One: Chastity, Fidelity and Women’s Cross-Cultural Encounters1. Feminist Neo-Imperialism in Marjane Satrapi’s PersepolisColette Morrow  2. The Forgotten Women of 1971: Bangladesh’s Failure to Remember Rape Victims of the Liberation WarFirdous Azim  3. Fragmented State, Fragmented Women: Reading Gender, Reading History in Partition FictionParamita Halder  4. The Trope of the “Fallen Women” in the Fiction of Bangladeshi Women WritersHafiza Nilofar Khan  Part Two: Forbidden Desires and Misogynist Enculturation   5. Polyamorous Draupadi: Adharma or Emancipation?Devaleena Das  6. Damaged Goods! Managed Gods!  Indian Cinema’s Virtuous HierarchiesAmrit Gangar  7. Roop Taraashi: Sex, Culture, Violence, Impersonation and the Politics of the Inner SanctumNaina Dey  Part Three: Political Economy and Questioning Tradition in the Far East8. More Than an Exchange of Fluids: Thai Prostitutes and the Western Sexual EconomyLouis Betty  9. Representing Bad Women in Wu Zetian Si Da Qi’An: Political Criticism in Late Qing Crime FictionLavinia Benedetti  10. The Problematic Maternal in Moto Hagio’s Graphic Fiction: An Analysis of “Iguana Daughter”Tomoko Kuribayashi  Part Four: Unchaste Goddesses and Transgressive Women in a Turbulent Nation11. A Dark Goddess for a Fallen World: Mapping Apocalypse in some of Bankim Chandra Chatterjee's NovelsMeenakshi Malhotra  12. Desire and Dharma: A Study of the Representation of Fallen Women in the Novels of Bankim ChandraChandrani Biswas  13. The Fallen Woman in Bengali Literature: Binodini Dasi and Tagore’s Chokher BaliRadha Chakravarty  Part Five: The Moral Frontiers of Lesbianism in the East     14. Shaking the Throne of God: Muslim Women Writers Who DaredFeroza Jussawalla  15. Homoeroticism and Re-accessing the Idea of ‘Fallen Woman’ in Keval Sood’s MurgikhanaKuhu Sharma Chanana  AfterwordContributorsIndex

“Unveiling Desire’s greatest contribution is its exploration of the nexus of Eastern and Western feminisms. Readers will discover how the trope of the fallen woman appears in a fascinating array of texts, engaging themes of female agency, colonialism, nationalism, and patriarchal traditions.”- Amy Levin (editor of Global Mobilities: Refugees, Exiles, and Immigrants in Museums and Archives) “Unveiling Desire is an excellent book-length study of non-Western women’s sexuality and sexual desires that provides a much-needed corrective to Western feminist Orientalisms and their attendant chauvinisms. Breathtaking in its scope-from the nineteenth-century Bengali widow in South Asia to sex workers in Tokugawa-era Japan-this collection of essays is a must read for anyone interested in gender, sexuality, and feminism.” - Krupa Shandilya (author of Intimate Relations: Social Reform and the Late Nineteenth-Century South Asian Novel) "Enhanced for academia, Unveiling Desire: Fallen Women in Literature, Culture, and Films of the East is an especially and unreservedly recommended addition to college and university library Women's Studies, Asian Studies, Literary Studies, Film/Media Studies collections."  (Midwest Book Review) "Weekly Book List, April 20, 2018" by Nina Ayoub (Chronicle of Higher Education) "Offers a vibrant and valuable addition the field, with case studies and insights that are fresh and pertinent. The reader will become better acquainted with more than just the trope of the fallen women in non-Western culture; he or she will learn more about the lives, the experiences, the intellectual and affective history, as well as the rich complexity of Eastern women." (Women's Studies) "Without this important book, many of the texts that are analyzed would be lost in a canon that all too often privileges Eurocentric perspectives and concerns." (RGWS: A Feminist Review) “Unveiling Desire’s greatest contribution is its exploration of the nexus of Eastern and Western feminisms. Readers will discover how the trope of the fallen woman appears in a fascinating array of texts, engaging themes of female agency, colonialism, nationalism, and patriarchal traditions.”- Amy Levin (editor of Global Mobilities: Refugees, Exiles, and Immigrants in Museums and Archives) “Unveiling Desire is an excellent book-length study of non-Western women’s sexuality and sexual desires that provides a much-needed corrective to Western feminist Orientalisms and their attendant chauvinisms. Breathtaking in its scope-from the nineteenth-century Bengali widow in South Asia to sex workers in Tokugawa-era Japan-this collection of essays is a must read for anyone interested in gender, sexuality, and feminism.” - Krupa Shandilya (author of Intimate Relations: Social Reform and the Late Nineteenth-Century South Asian Novel) "Enhanced for academia, Unveiling Desire: Fallen Women in Literature, Culture, and Films of the East is an especially and unreservedly recommended addition to college and university library Women's Studies, Asian Studies, Literary Studies, Film/Media Studies collections."  (Midwest Book Review) "Weekly Book List, April 20, 2018" by Nina Ayoub (Chronicle of Higher Education) "Offers a vibrant and valuable addition the field, with case studies and insights that are fresh and pertinent. The reader will become better acquainted with more than just the trope of the fallen women in non-Western culture; he or she will learn more about the lives, the experiences, the intellectual and affective history, as well as the rich complexity of Eastern women." (Women's Studies) "Without this important book, many of the texts that are analyzed would be lost in a canon that all too often privileges Eurocentric perspectives and concerns." (RGWS: A Feminist Review)