Del 808 i serien Mr Crook Murder Mystery

Uncertain Death

Häftad, Engelska, 2014

309 kr

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A missing wife, a husband suspected - and only the incorrigible private investigator can save them both.Classic crime from one of the greats of the Detection ClubOn the day that Emily Tate vanished, Inspector Marston met her husband, Stephen Tate, on the tow-path of the River Pyle. The unassuming Stephen was on the brink of a nightmare episode that was to make his unhappy marriage, his clandestine love affair and his disappointed hopes seem positively joyous by comparison. The determination of the girl he loved was the only thing that could save him from the web of circumstances in which he was enmeshed. She sent for Detective Arthur Crook.

Produktinformation

Utgivningsdatum2014-03-14
Mått129 x 198 x 17 mm
Vikt192 g
FormatHäftad
SpråkEngelska
SerieMr Crook Murder Mystery
Antal sidor224
FörlagThe Murder Room
ISBN9781471910180

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Anthony Gilbert was the pen name of Lucy Beatrice Malleson. Born in London, she spent all her life there, and her affection for the city is clear from the strong sense of character and place in evidence in her work. She published 69 crime novels, 51 of which featured her best known character, Arthur Crook, a vulgar London lawyer totally (and deliberately) unlike the aristocratic detectives, such as Lord Peter Wimsey, who dominated the mystery field at the time. She also wrote more than 25 radio plays, which were broadcast in Great Britain and overseas. Her thriller The Woman in Red (1941) was broadcast in the United States by CBS and made into a film in 1945 under the title My Name is Julia Ross. She was an early member of the British Detection Club, which, along with Dorothy L. Sayers, she prevented from disintegrating during World War II. Malleson published her autobiography, Three-a-Penny, in 1940, and wrote numerous short stories, which were published in several anthologies and in such periodicals as Ellery Queen's Mystery Magazine and The Saint. The short story 'You Can't Hang Twice' received a Queens award in 1946. She never married, and evidence of her feminism is elegantly expressed in much of her work.