Twentieth Century German Art Exhibition

Lucy Wasensteiner is Lecturer in Art History at the University of Bonn, and Associate Lecturer at the Courtauld Institute of Art in London.

• Contents Introduction Chapter One: The Organisation of Twentieth Century German Art Chapter Two: Campendonk’s ‘Jumping Beast’: Neutrality and Resistance in Swiss Museums Chapter Three: Schmitt-Rottluff’s ‘Fishermen’s Houses’: Art and Status in Exile Chapter Four: Liebermann’s ‘The Potato Gatherer’: German Modernism, German Dealers and the London Art Market Chapter Five: Schwitters’ ‘The Golden Ear’: ‘Degenerate’ Artists as Lenders to London Chapter Six: Macke’s ‘Men on a Bridge’: Loans from the Reich Chapter Seven: Baumeister’s ‘Kneeling Group’: The British and Twentieth Century German Art Chapter Eight: The Reception of Twentieth Century German Art in Britain and Germany Conclusion Appendix One: Index of Twentieth Century German Art Exhibits Appendix Two: Index of Twentieth Century German Art Lenders Bibliography