TV China

Ying Zhu is Associate Professor of Cinema Studies in the Department of Media Culture, City University of New York, Staten Island. Chris Berry is Professor of Film and Television Studies in the Department of Media and Communication at Goldsmiths College, University of London.

• ContentsIntroductionYing Zhu and Chris BerryPart 1. Institution1. Toward Television Regionalization in Greater China and BeyondJoseph M. Chan2. CCTV in the Reform Years: A New Model for China's Television?Junhao Hong, Yanmei Lü, and William Zou3. Hong Kong Television: Same as It Ever Was?Karin Gwinn WilkinsPart 2. Programming4. Shanghai Television's Documentary Channel: Chinese Television as Public SpaceChris Berry5. Made in Taiwan: An Analysis of Meteor Garden as an East Asian Idol DramaHsiu-Chuang Deppman6. Ritual, Television, and State Ideology: Rereading CCTV's 2006 Spring Festival GalaXinyu LuPart 3. Reception7. Mediation Journalism in Chinese Television: Double-Time Narrations of SARSHaiqing Yu8. Building a Chinese "Middle Class": Consumer Education and Identity Construction in Television LandJanice Hua Xu9. Chinese Television Audience ResearchTongdao ZhangPart 4. Going Global10. Hong Kong Television and the Making of New Diasporic ImaginariesAmy Lee11. Globalizing Television: Chinese Satellite Television outside Greater ChinaCindy Hing-Yuk Wong12. Transnational Circulation of Chinese-Language Television DramasYing ZhuAppendix: Relevant Milestone Events in the Development of Chinese TelevisionList of ContributorsIndex

"Zhu (CUNY, Staten Island) and Berry (Goldsmiths College, Univ. of London, UK) pull together 12 disparate papers on television in China, Hong Kong, Taiwan, and the diaspora. Offering broad perspectives on television practice, circulation, and consumption, the book is structured around four large issues: institutional factors, e.g., political economics, government policy and censorship, trade protection, and corporate policy; programming, especially Shanghai's Documentary Channel, a Taiwanese drama serial, and a popular New Year's Eve variety show; reception, including cultural impacts and viewership patterns; and globalism. The book's content certainly helps to fill in cracks and crannies of Chinese television studies, for which readers will be thankful. . . -CHOICE"—J. A. Lent, Temple University, July 2009"[This] volume has succeeded in filling a number of gaps, most notably in bringing together within one volume various approaches to the study of Chinese television as a cultural phenomenon that is at once national, transnational, and diasporic. It is a welcome addition to the field, and students and researchers of Chinese media, culture and society, as well as television studies academics in general, should find the book a very useful reference.199 Sept. 2009"—Wanning Sun, China Quarterly"TV China provides us with a timely and comprehensive compilation of writings on Chinese television. By presenting the regional dynamics of Chinese television production and reception, Ying Zhu and Chris Berry provide a broad canvas enriched by contemporary media theory. . . . In summary, this is a fine collection, and will become a benchmark for students and researchers of Chinese media. No. 63, Jan. 2010"—The China Journal"Zhu and Berry have succeeded in fulfilling their objective of offering 'balanced coverage' of the topic of Chinese television. Culturally and geographically, this anthology covers mainland China, Hong Kong, Taiwan, and the Chinese diaspora. Four key research areas demarcate its distinct thematic sections: institutions, programming, reception, and 'going global'.32.2 2012"—HIST JRNL FILM RADIO & TV". . . The book's content certainly helps to fill in cracks and crannies of Chinese television studies, for which readers will be thankful . . . July 2009"—Choice"TV China is a very welcome addition to the limited number of major works dedicated to this topic. To varying degrees and adopting diverse approaches, individual contributors have updated and expanded our current knowledge of Chinese television...the volume has succeeded in filling a number of gaps, most notably in bringing together within one volume various approaches to the study of Chinese television as a cultural phenomenon that is at once national, transnational and diasporic. It is a welcome addition to the field, and students and researchers of Chinese media, culture and society, as well as television studies academics in general, should find the book a very useful reference.Sept. 2009"—Wanning Sun, China Quarterly"Fills an important gap in both Chinese studies and media studies."—Lisa Rofel, University of California, Santa Cruz"There is nothing currently comparable in English, and quite possibly in any language."—John Downing, Southern Illinois University