Kellie D. Holzer is professor of English and affiliate faculty in the Gender, Women, and Sexuality Studies Program at Virginia Wesleyan University.

• Chapter 1Catherine Dickens and Imperial PatriarchyChapter 2Marriage as Murder: Marie Corelli’s The Murder of DeliciaChapter 3Translation and Trans-imperial Protest: Delicia Hatya and KahakeInterludeThe Rise of the Bengali Novel and the Indian New WomanChapter 4A New Formula for Fiction: Hossain’s Padmarag

Holzer nuances the conversation between English and Indian authors of the long nineteenth century, through tracing the interplay between received narratives, translation and trans-imperial feminism. In making these connections visible, the book opens up persuasive new ways of reading.

Kellie D. Holzer is professor of English and affiliate faculty in the Gender, Women, and Sexuality Studies Program at Virginia Wesleyan University.

• Chapter 1Catherine Dickens and Imperial PatriarchyChapter 2Marriage as Murder: Marie Corelli’s The Murder of DeliciaChapter 3Translation and Trans-imperial Protest: Delicia Hatya and KahakeInterludeThe Rise of the Bengali Novel and the Indian New WomanChapter 4A New Formula for Fiction: Hossain’s Padmarag

Holzer nuances the conversation between English and Indian authors of the long nineteenth century, through tracing the interplay between received narratives, translation and trans-imperial feminism. In making these connections visible, the book opens up persuasive new ways of reading.

Kellie D. Holzer is professor of English and affiliate faculty in the Gender, Women, and Sexuality Studies Program at Virginia Wesleyan University.

• Chapter 1Catherine Dickens and Imperial PatriarchyChapter 2Marriage as Murder: Marie Corelli’s The Murder of DeliciaChapter 3Translation and Trans-imperial Protest: Delicia Hatya and KahakeInterludeThe Rise of the Bengali Novel and the Indian New WomanChapter 4A New Formula for Fiction: Hossain’s Padmarag

Holzer nuances the conversation between English and Indian authors of the long nineteenth century, through tracing the interplay between received narratives, translation and trans-imperial feminism. In making these connections visible, the book opens up persuasive new ways of reading.