'At the opening of this fascinating study, Ian Newman assures us, with nimble irony, that 'I have had more fun researching and writing this book than accords with the usual image of academic pointy-headed severity'. Yet for all its self-deprecation, this is a learned account that sets about tracing such intricacies as 18th-century state surveillance, the tensions between feminised 'fashionable sociability' and 'the masculine commercialized politics of clubs and coffeehouses', and 'the pleasure of politics and the politics of pleasure, and how they gave shape to ideas about literature'.' Peter J. Smith, The Times Higher Education