The Empathic Screen

Vittorio Gallese, MD and trained neurologist, is Professor of Psychobiology at the University of Parma, Italy and Adjunct Senior Research Scholar, Dept. of Art History and Archeology, Columbia University, New York, USA. Cognitive neuroscientist, his research focuses on the relation between the sensory-motor system and cognition by investigating the neurobiological and bodily grounding of intersubjectivity, empathy, language and aesthetics. He is the author of more than 200 scientific publications and two books.Michele Guerra is Professor of Film Theory at the University of Parma. Authors of more than one hundred publications among articles and books, his work mainly focuses on the relationship between cognitive neuroscience and cinema, American and Italian film history. He is an Associate Editor of the film journal "Fata Morgana", and member of the Scientific Board of "Cinergie", "La Valle dell'Eden", and "Arabeschi".

• 1: Embodied Simulation: A new model of perception 2: Stilted Movements and Improbable Stares 3: Camera Movements and Motor Cognition 4: Cut and Harmony 5: Face and Hands 6: New Mediation, New Films, New Experiments Glossary References

Gallese (a psychobiologist) and Guerra (a film theorist) use the apparatus of neuroscience to argue that movies "evoke" motor resonance in spectators. They support their argument by using the concepts of "mirror neurons" and "embodied simulation." The authors focus solely on camera movement, editing, and close-ups, ignoring montage sequences (e.g., the shower scene in Psycho) and sound (e.g., musical scores).