The Cambridge Companion to Apocalyptic Literature

Colin McAllister is an Assistant Professor of Music at the University of Colorado, Colorado Springs. His publications include The Vanguard Guitar (2004) and Fourteenth Century Counterpoint: Music of the Chantilly Codex (2005) as well as a translation of the Cambridge Glossa in Apocalypsin (forthcoming). He directs the annual Through a Glass Darkly: UCCS Symposium on Apocalyptica.

• 1. Through a glass darkly: time, the end, and the essence of apocalyptica Colin McAllister; 2. Apocalpyticism as a worldview in ancient Judaism and Christianity John J. Collins; 3. Introduction to the Book of Revelation Ian Paul; 4. The gnostic apocalypses Dylan M. Burns; 5. Exegetic the apocalypse with the Donatist communion Jesse A. Hoover; 6. Tests of faith, rebirth out of corruption or endless cycles of regeneration: experiments in the restoration of the late Roman Empire Brian Duvick; 7. Latin reception of the apocalypse in the early Middle Ages E. Ann Matter; 8. Exegesis of the Apocalypse in the tenth century Francis X. Gumerlock; 9. The end of the world at the ends of the Earth: apocalyptic thought in medieval Ireland John Carey; 10. Byzantine apocalyptic literature András Kraft; 11. Joachim of Fiore and the apocalyptic revival of the twelfth century Brett Edward Whalen; 12. Apocalpytic sensibility in renaissance Europe Ian Boxall; 13. 'Pride and vanity of the imagination, that disdains to follow this world's fashion': apocalypticism in the age of reason Christopher Rowland; 14. The formation of antichrist in medieval western Christian thought Kevin L. Hughes; 15. From Dabiq to Jerusalem: trajectories of contemporary Salafi-Jihadi apocalypticism David Cook; 16. American evangelicals and the apocalypse Daniel G. Hummel; 17. Apocalypticism in the contemporary world Lorenzo DiTommaso.

'This is a rich, wide-ranging and sometimes provocative collection which brings together serious scholarship adapted to a wider readership … consistently thought-provoking, informative, and full of leads for further exploration.' Roger Pooley, The Glass