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Illuminating a powerful intersection between popular culture and global politics, Spies and Holy Wars draws on a sampling of more than eight hundred British and American thrillers that are propelled by the theme of jihad-an Islamic holy war or crusade against the West. Published over the past century, the books in this expansive study encompass spy novels and crime fiction, illustrating new connections between these genres and Western imperialism. Demonstrating the social implications of the popularity of such books, Reeva Spector Simon covers how the Middle Eastern villain evolved from being the malleable victim before World War II to the international, techno-savvy figure in today's crime novels. She explores the impact of James Bond, pulp fiction, and comic books and also analyzes the ways in which world events shaped the genre, particularly in recent years. Worldwide terrorism and economic domination prevail as the most common sources of narrative tension in these works, while military "tech novels" restored the prestige of the American hero in the wake of post-Vietnam skepticism. Moving beyond stereotypes, Simon examines the relationships between publishing trends, political trends, and popular culture at large-giving voice to the previously unexamined truths that emerge from these provocative page-turners.
Reeva Spector Simon is Professor of History at Yeshiva University. She previously served as Associate Director of the Middle East Institute at Columbia University and is the author of Iraq between the Two World Wars.
Acknowledgements Chapter 1. Crime Fiction as Political Metaphor Chapter 2. Spies and Holy War: Jihad and World War I Chapter 3. Holy War and Empire: Fu Manchu in Cairo Chapter 4. The Publishing Explosion and James Bond Chapter 5. Secular Jihad: International Terrorism and Economic Destabilization Chapter 6. The American Crusade Against Terror Chapter 7. Jihad, the Apocalypse, and Back Again Notes Fiction Bibliography Nonfiction Works Cited and Consulted Index
"...if one wants to understand how and why the West misrepresents the East, it is much more useful to turn to work that is free of literary obscurantism, such as Simon's books on crime fiction...The book is great fun to read..." Robert Irwin writing for the Times Literary Supplement, August 2011