It is an ambitious, seemingly impossible, task the authors set themselves. Within the narrow space of mere 123 pages the authors review classic perspectives on visuality and representation, discuss them against recent critical positions, and develops their own position that leaves room for embodiment, affect, and performance as a way into exploring the processes and spaces between performance and representation. They also propose a research agenda for heritage/tourism research. All in all, the authors meet the challenges brilliantly. The ambitions of the book combined with the clear and fast-paced style of argumentation and writing provides the reader with a book that easily can be used in graduate/postgraduate courses as well as short welcome reviews of the state-of-the-art of semiotic approaches to heritage, leisure, tourism with a focus on performance, affect and embodiment.