Road Allowance Era

katherena vermette (she/her/hers) is a Red River Métis (Michif) writer from Treaty 1 territory, the heart of the Métis Nation, Winnipeg, Manitoba. In 2013, her first book, North End Love Songs (The Muses’ Company) won the Governor General’s Literary Award for Poetry. Since then, her work has garnered awards and critical accolades across genres. Her novels The Break (House of Anansi) and The Strangers (Hamish Hamilton) were both national best sellers and won multiple literary awards. She is the author of numerous other bestselling titles, including the A Girl Called Echo series (HighWater Press) and the Seven Teachings Stories series (HighWater Press). Scott B. Henderson (he/him) is a freelance illustrator, whose reputation for cultural sensitivity and an openness to listen and learn has garnered a large body of work in collaboration with Indigenous and LGBTQIA+ communities. His work spans several critically acclaimed graphic novels, including 7 Generations: A Plains Cree Saga (Indigenous history & Residential Schools); A Girl Called Echo series (Métis history); A Blanket of Butterflies (2016 Eisner Nomination); a short story in Marvel Voices: Pride #1 (2022); and the post-apocalypse graphic novel, Last Breeds (fall 2024). Scott is a member of the LGBTQIA+ community. He resides in Winnipeg with his partner. Since 1998, Donovan Yaciuk (he/him/his) has coloured books published by Marvel, DC, Dark Horse comics, and HighWater Press including the A Girl Called Echo and The Reckoner Rises series, as well as select stories in This Place: 150 Years Retold. Donovan holds a Bachelor of Fine Arts (Honours) from the University of Manitoba and began his career as a part of the legendary, now-defunct Digital Chameleon colouring studio. He lives in Winnipeg, Manitoba, Canada, with his wife and two daughters.

Is enthralled the correct word when describing such a dark chapter in Métis dispossession, along the road allowances in the western prairies? Or is enraging more apt? Or maybe brilliant blinding beauty? Because that's what Vermette has achieved here. Even as the graphic novel closed, I was reflecting on this staggering and respectful work. A swell in my chest, a pride in my spirit; you'll feel the strength of our people, the Free People, the Otipemisiwak, against the injustice of Canadian imperialism in the late 19th- and early 20th-centuries.