Stephen F. Teiser is D. T. Suzuki Professor in Buddhist Studies, Princeton University. He is the author of The Ghost Festival in Medieval China

• Preface and Acknowledgments1. Picturing Life and Death as a Wheel2. The Canonical Version of the Wheel of Rebirth3. Temples and Legends: Western India, 350-550 C.E.4. King Rudrayana's Painting of the Twelve Conditions5. La roue imaginaire en Chine6. Wheels for Meditation: Kumtura, Central Asia, Ninth Century7. Wheels in Cave Temples: Yulin, Gansu, Tenth Century8. Wheels in Esoteric Temples: Tabo, Western Tibet, Eleventh Century9. Wheels for Pilgrims: Baodingshan, Sichuan, Thirteenth Century10. ConclusionsCharacter GlossaryBibliographyIndex

Teiser . . . has a talent for explaining difficult concepts from the basics, and he includes references to popular or mass-media forms of contemporary Buddhism. His book is packed full of fascinating details and enlivened with translations of Buddhist narratives, legends, and miracle tales. This is a fine example of scholarship from the leading edge of the field of Buddhist studies. It will be appreciated and enjoyed by all those interested in the communication of ideas and the religious function of painted images.(History of Religions) [An] extraordinary book-length project . . . . Without question, Teiser has an extraordinary command of the material; he offers a rich, multilayered, multifaceted analysis that benefits from careful reading and rereading . . . . his methodological synthesis of visual and literary sources has significantly advanced the field of Buddhist studies, bridging the divide between Buddhist images and texts with a more productive collaborative and contextual analysis. This is a very important book that will long remain an enormously valuable resource to scholars and students.(Art Bulletin) [An] erudite and well-written study, one that deserves to be used as both a basic reference for the representation and history of wheels of rebirth as well as a methodological model for the study of Buddhist art.(CAA Reviews) Groundbreaking. . . . The gorgeous visuals, detailed maps, and line drawings materially herald an exciting new phase in Buddhology, pronouncing a long-awaited, mature marriage between art history and Buddhist studies. . . . Teiser has radically changed scholarly discourse and understanding. . . . A highly engaging, in-depth treatment of an important Buddhist symbol, this exquisitely produced book has much to offer to specialist readers and undergraduate students.(Journal of Chinese Religions) With keen aesthetic discernment, extensive historical scholarship, and sensitivity to Buddhist spirituality, this work seamlessly studies all significant aspects of the Buddhist wheel found in old Buddhist temples while bringing in relevant dimensions of Buddhist spirituality. Art, symbology, history, culture, and spirituality are interwoven in an engrossing, enlightening manner.(Midwest Book Review) A provocative and reliable account of an image that found its way from India to China in the medieval period and continues to play an important role in Buddhist practice and education in Tibet today.(Harvard Journal of Asiatic Studies) [This book] succeeds through an earnest engaging style and promises to garner in an exquisitely crafted production a wider audience for its subject.(Journal of Asian History)

Stephen F. Teiser is D. T. Suzuki Professor in Buddhist Studies, Princeton University. He is the author of The Ghost Festival in Medieval China

• Preface and Acknowledgments1. Picturing Life and Death as a Wheel2. The Canonical Version of the Wheel of Rebirth3. Temples and Legends: Western India, 350-550 C.E.4. King Rudrayana's Painting of the Twelve Conditions5. La roue imaginaire en Chine6. Wheels for Meditation: Kumtura, Central Asia, Ninth Century7. Wheels in Cave Temples: Yulin, Gansu, Tenth Century8. Wheels in Esoteric Temples: Tabo, Western Tibet, Eleventh Century9. Wheels for Pilgrims: Baodingshan, Sichuan, Thirteenth Century10. ConclusionsCharacter GlossaryBibliographyIndex

Teiser . . . has a talent for explaining difficult concepts from the basics, and he includes references to popular or mass-media forms of contemporary Buddhism. His book is packed full of fascinating details and enlivened with translations of Buddhist narratives, legends, and miracle tales. This is a fine example of scholarship from the leading edge of the field of Buddhist studies. It will be appreciated and enjoyed by all those interested in the communication of ideas and the religious function of painted images.(History of Religions) [An] extraordinary book-length project . . . . Without question, Teiser has an extraordinary command of the material; he offers a rich, multilayered, multifaceted analysis that benefits from careful reading and rereading . . . . his methodological synthesis of visual and literary sources has significantly advanced the field of Buddhist studies, bridging the divide between Buddhist images and texts with a more productive collaborative and contextual analysis. This is a very important book that will long remain an enormously valuable resource to scholars and students.(Art Bulletin) [An] erudite and well-written study, one that deserves to be used as both a basic reference for the representation and history of wheels of rebirth as well as a methodological model for the study of Buddhist art.(CAA Reviews) Groundbreaking. . . . The gorgeous visuals, detailed maps, and line drawings materially herald an exciting new phase in Buddhology, pronouncing a long-awaited, mature marriage between art history and Buddhist studies. . . . Teiser has radically changed scholarly discourse and understanding. . . . A highly engaging, in-depth treatment of an important Buddhist symbol, this exquisitely produced book has much to offer to specialist readers and undergraduate students.(Journal of Chinese Religions) With keen aesthetic discernment, extensive historical scholarship, and sensitivity to Buddhist spirituality, this work seamlessly studies all significant aspects of the Buddhist wheel found in old Buddhist temples while bringing in relevant dimensions of Buddhist spirituality. Art, symbology, history, culture, and spirituality are interwoven in an engrossing, enlightening manner.(Midwest Book Review) A provocative and reliable account of an image that found its way from India to China in the medieval period and continues to play an important role in Buddhist practice and education in Tibet today.(Harvard Journal of Asiatic Studies) [This book] succeeds through an earnest engaging style and promises to garner in an exquisitely crafted production a wider audience for its subject.(Journal of Asian History)

Stephen F. Teiser is D. T. Suzuki Professor in Buddhist Studies, Princeton University. He is the author of The Ghost Festival in Medieval China

• Preface and Acknowledgments1. Picturing Life and Death as a Wheel2. The Canonical Version of the Wheel of Rebirth3. Temples and Legends: Western India, 350-550 C.E.4. King Rudrayana's Painting of the Twelve Conditions5. La roue imaginaire en Chine6. Wheels for Meditation: Kumtura, Central Asia, Ninth Century7. Wheels in Cave Temples: Yulin, Gansu, Tenth Century8. Wheels in Esoteric Temples: Tabo, Western Tibet, Eleventh Century9. Wheels for Pilgrims: Baodingshan, Sichuan, Thirteenth Century10. ConclusionsCharacter GlossaryBibliographyIndex

Teiser . . . has a talent for explaining difficult concepts from the basics, and he includes references to popular or mass-media forms of contemporary Buddhism. His book is packed full of fascinating details and enlivened with translations of Buddhist narratives, legends, and miracle tales. This is a fine example of scholarship from the leading edge of the field of Buddhist studies. It will be appreciated and enjoyed by all those interested in the communication of ideas and the religious function of painted images.(History of Religions) [An] extraordinary book-length project . . . . Without question, Teiser has an extraordinary command of the material; he offers a rich, multilayered, multifaceted analysis that benefits from careful reading and rereading . . . . his methodological synthesis of visual and literary sources has significantly advanced the field of Buddhist studies, bridging the divide between Buddhist images and texts with a more productive collaborative and contextual analysis. This is a very important book that will long remain an enormously valuable resource to scholars and students.(Art Bulletin) [An] erudite and well-written study, one that deserves to be used as both a basic reference for the representation and history of wheels of rebirth as well as a methodological model for the study of Buddhist art.(CAA Reviews) Groundbreaking. . . . The gorgeous visuals, detailed maps, and line drawings materially herald an exciting new phase in Buddhology, pronouncing a long-awaited, mature marriage between art history and Buddhist studies. . . . Teiser has radically changed scholarly discourse and understanding. . . . A highly engaging, in-depth treatment of an important Buddhist symbol, this exquisitely produced book has much to offer to specialist readers and undergraduate students.(Journal of Chinese Religions) With keen aesthetic discernment, extensive historical scholarship, and sensitivity to Buddhist spirituality, this work seamlessly studies all significant aspects of the Buddhist wheel found in old Buddhist temples while bringing in relevant dimensions of Buddhist spirituality. Art, symbology, history, culture, and spirituality are interwoven in an engrossing, enlightening manner.(Midwest Book Review) A provocative and reliable account of an image that found its way from India to China in the medieval period and continues to play an important role in Buddhist practice and education in Tibet today.(Harvard Journal of Asiatic Studies) [This book] succeeds through an earnest engaging style and promises to garner in an exquisitely crafted production a wider audience for its subject.(Journal of Asian History)