Red Aesthetics offers a new way to think about art and politics, focusing on the revolutionary work of Aleksandr Rodchenko, Bertolt Brecht, and Sergei Eisenstein between the wars. Todd Cronan shows how these three artists’ photographs, dramas, films, and writings—centered on class conflict—differ from current left orthodoxies rooted in empathy. Writing against liberal pieties, Cronan contends, following Brecht, that empathy is not the solution to our problems, but more like the source of them.
Todd Cronan is associate professor of Art History at Emory University.
Introduction: An Exact Picture of the World Chapter 1: The Great Production: Rodchenko/Brecht/Eisenstein with and against Adorno and BarthesChapter 2: Rodchenko’s Photographic Communism Chapter 3: Art and Political Consequence: Brecht’s Critique of Affect Chapter 4: Seeing Differently and Seeing Correctly: Brecht on Artistic and Political Abstraction Chapter 5: Class into Race: Brecht, Adorno, and the Problem of State Capitalism Chapter 6: Relentlessness: Eisenstein’s Automatic Writing
[E]ngages in a rigorous Marxist analysis of artistic expression and its relation to society…. Acknowledging in the preface a debt to conferences, symposia, and critical engagement among colleagues, the book reads like an extended seminar. The discussions on Rodchenko and Eisenstein are accompanied by a selection of photographs. Recommended. Graduate students, researchers, faculty.