Claudia La Malfa’s absorbing Raphael and the Antique, which is part of Reaktion Books series called Renaissance Lives . . . these books are not intended to be full-blooded cradle to grave last words on their subjects, but rather seek to shed light on particular aspects of their work alongside a more general account of their careers. In the case of Raphael, his engagement with the arts of classical antiquity is an unusually rewarding focus, above all because it allows the author not only to demonstrate the seriousness of his study of both the sculpture and the architecture of the ancients, but also to explore the consequences of this profound immersion on his own production . . . the book has a wonderful – and fascinating – surprise half a dozen pages or so from its end.