Radio Art and Music

Jarmila Mildorf teaches English language and literature at the University of Paderborn. Pim Verhulst is assistant professor of English literature at the University of Antwerp.

• Radio Art and Music: An IntroductionJarmila Mildorf and Pim VerhulstChapter 1: The Making of a Nomenclature: José Iges on Radiophonic ArtLuz María Sánchez CardonaChapter 2: Maestro, If You Please: The Radio Producer as MusicianJeremy LakoffChapter 3: Norman Corwin, Bernard Herrmann, and Musical Direction for Columbia Presents CorwinReba A. WissnerChapter 4: “Attitudes toward History” and the Radiophonic Compositions of Daphne Oram and the Firesign TheatreDavid McCarthyChapter 5: Between Art and Promotion: The Prix Italia, Its Historical Context and Aims in the First Fifty Years 1949-1998 Angela Ida De Benedictis Chapter 6: A Canadian Experiment in Words-as-Music: Glenn Gould’s Invention of Form in his Radio Program The Idea of NorthElissa GuralnickChapter 7: Jewish Musical Material in a 1946 American Radio Drama: “Rachel”Paula Eisenstein Baker and Robert S. NelsonChapter 8: The Bad Violin’s Good Politics: Music of Protest and Disavowal in The Jack Benny ProgramJade ConleeChapter 9: Shifting Hues of Blackface: Performance of Race in Radio Adaptations of Holiday Inn (1942)Emily LaneChapter 10: Voicing the Other World: Music and the Victorian Occult in Midcentury American Radio DramaOlivia CacchioneChapter 11: Collective Responsibility in Ingeborg Bachmann and Hans Werner Henze’s Radio Drama The CicadasLucy JeffreyChapter 12: Music and Politics in the BBC Radio Adaptation of Alan Bennett’s The Madness of George IIIJarmila MildorfChapter 13: Adapting the Soundtrack of Revolution: Tom Stoppard’s Rock ’n’ Roll from Stage to RadioPim VerhulstChapter 14: Children’s Songs as Socio-Political Comment in the Greek Radio Show Edo LilipoupoliAikaterini GiampouraAbout the Contributors