The essays in Race, Representation, and Satire, compiled by editor Campbell, deftly examine the nuances of comedy's pursuit of the truth, especially when creators with firsthand knowledge of the harm suffered by various racial groups wield satire. Each essay investigates racial representations within creative works; the writers convey how those works are successful (for instance, Reham Bohamad’s essay on the depiction of Muslim women in the British sitcom We Are Lady Parts) or fall short (Campbell on Dave Chapelle’s recent stand-up work). With a rich assortment of cited scholarly works set against a diverse array of modern media, Race, Representation, and Satire is a valuable contribution to the body of media studies. In her thoughtful critique of an episode of the series Atlanta, Keli Dailey asks, “But who is this punchline serving?” (p. 15), a question whose saliency is effectively echoed throughout each chapter. Recommended. Advanced undergraduates, graduate students, and professionals.