Talking about race does not have to be incredibly awkward. In this book, Gooding offers twelve clear, cogent, and concise racial rubrics to help users of mainstream media more readily discern patterns hidden in plain sight. The text primarily leverages popular movies as the medium of analysis--since they are unparalleled in their cultural significance--but the rubrics apply to other forms of media, such as television, print, and social media. "Why does the Black guy die first?" is a well-known rhetorical question that challenges the disparate treatment of non-White characters onscreen. This subtle statement about the representation of persons of colour within mainstream movies has remained largely unexplored until now. Race and Media Literacy, Explained provides concrete concepts and a uniform vocabulary with which to recognize and further analyse these formulaic images. After participating in this dynamically interactive experience, readers will never see media the same way again!Book Features:Employs an interdisciplinary approach to teaching race, drawing on cinema and forms of popular media that most students know.Guidance for honing media literacy skills with middle, high school, and undergraduate college students.A HARM Theory Rubric that identifies 6 consistent patterns for depictions of non-White characters and 6 consistent patterns for White characters within mainstream movies. Questions for Questing sections provide critical questions for further exploration.Concrete vocabulary/glossary terms to engage with the subject matter more precisely.Innovative analysis of depictions of race and ethnicity in the top ten highest-grossing films of all time.
Frederick W. Gooding, Jr., is associate professor of African American studies and the Dr. Ronald E. Moore Professor in Humanities in the Honors College at Texas Christian University.
AcknowledgmentSeries ForewordPrefacePart I: Introduction: White Screens, Dark TheatersIntroduction: Evaluating the Worth of a Motion PictureSetting the Stage1,000 Words?Judgment DayBeware Black EngineersWho's Fault?Who's House?The black Guy Really Does Die FirstDoing the Math1. Have We Seen This Movie Before?Wdf?! (Why Die First?!)But What Is a Mainstream Movie?Take It From the TopMainstream Racism in Black and WhiteRACISM: Now in Living Color2. Value and VisibilityNothing New to ReportIntroducing the Harm Theory RubricSixth Sense: I See White PeopleSeeing (White Hot) StarsThe Curious Case of White WomenComing SoonPart II: Conflict and Climax: Color Me BadChapter 3: Angel Figure30-Second SpotTrailerMain Feature AnalysisBlack MirrorAngel Figure Top Ten Examples4. Background Figure30-SECOND SPOTTRAILERMAIN FEATURE ANALYSISBLACK MIRRORBACKGROUND FIGURE TOP TEN EXAMPLES5. Comic Relief30-Second SpotTrailerMain Feature AnalysisBlack MirrorComic Relief Top Ten Examples6. Menace to Society30-Second SpotTrailerMain FeatureBlack MirrorMenace to Society Top Ten Examples7. Physical Wonder30-Second SpotTrailerMain FeatureBlack MirrorPhysical Wonder Top Ten Examples8. Utopic Reversal30-Second SpotTrailerMain Feature AnalysisBlack MirrorUtopic Reversal Top Ten Examples9. Assumed Affluent30-Second SpotTrailerMain Feature AnalysisBlack MirrorAssumed Affluent Top Ten Examples10. Family Tied30-Second SpotTrailerMain Feature Analysis: Family TiedBlack MirrorFamily Tied Top Ten Examples11. Hero30-Second SpotTrailerMain Feature AnalysisBlack MirrorHero Prototype Top Ten Examples12. The Intellectual30-SECOND SPOTTRAILERMAIN FEATURE ANALYSISBLACK MIRRORTOP TEN PROTOTYPE EXAMPLES: INTELLECTUAL13. Manipulator30-Second SpotTrailerMain Feature AnalysisBlack MirrorManipulator Prototype Top Ten Examples14. Romantic30-Second SpotTrailerMain Feature AnalysisBlack MirrorRomantic Top Ten Prototype ExamplesPart III: Resolution: Emotion Pictures15. Using Logic With Emotion PicturesMy Non-Horror Top Ten Movies for "Why Die First?!"The Bottom LinesBut It's Just a Movie, Right?GlossaryWatchdog GuideReferencesIndexAbout the Author