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" . . . transcends the realm of literature and poetic criticism to include virtually every field of Arabic and Islamic studies." —Roger AllenThroughout the classical Arabic literary tradition, from its roots in pre-Islamic Arabia until the end of the Golden Age in the 10th century, the courtly ode, or qasida, dominated other poetic forms. In The Poetics of Islamic Legitimacy, Suzanne Stetkevych explores how this poetry relates to ceremony and political authority and how the classical Arabic ode encoded and promoted a myth and ideology of legitimate Arabo-Islamic rule. Beginning with praise poems to pre-Islamic Arab kings, Stetkevych takes up poetry in praise of the Prophet Mohammed and odes addressed to Arabo-Islamic rulers. She explores the rich tradition of Arabic praise poems in light of ancient Near Eastern rites and ceremonies, gender, and political culture. Stetkevych's superb English translations capture the immediacy and vitality of classical Arabic poetry while opening up a multifaceted literary tradition for readers everywhere.
Preliminary Table of Contents: Preface and Acknowledgments1. Transgression and Redemption: Cuckolding the KingAl-Nbighah al-Dhubyn and the Pre-Islamic Royal Ode2. Transmission and Submission: Praising the ProphetKaÄb ibn Zuhayr and the Islamic Ode3. Celebration and Restoration: Praising the CaliphAl-Akhal and the Umayyad Victory Ode4. Supplication and Negotiation: The Client OutragedAl-Akhal and the Supplicatory Ode5. Political Dominion as Sexual DominationAbã al-ÄAthiyah, Abã Tammm and the Poetics of Power6. The Poetics of Political AllegiancePraise and Blame in Three Odes by al-Mutanabb7. The Poetics of Ceremony and the Competition for LegitimacyAl-Muhannad al-Baghdd, Muammad ibn Shukhhay, Ibn Darrj al-Qasall and the Andalusian OdeAppendix of Arabic TextsNotesWorks CitedIndex
" ... transcends the realm of literature and poetic criticism to include virtually every field of Arabic and Islamic studies." -Roger Allen