Poems and Meditations

Häftad, Engelska, 2019

Av Anne Bradstreet, Margaret Olofso Thickstun, Margaret Olofson Thickstun

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This volume presents all the surviving writings of the poet Anne Bradstreet (ca. 1612–1672): the poems published during her lifetime in The Tenth Muse Lately Sprung Up in America; or, Several Poems (London, 1650), poems added to the posthumous edition of Bradstreet’s Several Poems (Boston, 1678), and the material in her hand and that of her son preserved in a manuscript volume known as the Andover manuscript. Extensive footnotes illuminate Bradstreet’s broad reading in the medical, scientific, and historical literature of her day, as well as her interest in recent and current English history and politics.

Produktinformation

Utgivningsdatum2019-09-10
Mått163 x 239 x 24 mm
Vikt644 g
FormatHäftad
SpråkEngelska
Antal sidor400
FörlagArizona Center for Medieval & Renaissance Studies,US
ISBN9780866986212

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Litteraturvetenskap inom Skonlitteratur

Margaret Olofson Thickstun, author of Fictions of the Feminine: Puritan Doctrine and the Representation of Women (1988) and Milton’s Paradise Lost: Moral Education (2007), holds the Jane Watson Irwin Chair in Literature at Hamilton College. She is also co-editor with Teresa Feroli of Witness, Warning, and Prophecy: Quaker Women’s Writing, 1655–1700 (published in the Other Voice Series, 2018).

Illustrations xvAbbreviations xviiAcknowledgments xixINTRODUCTION 1PART 1: THE TENTH MUSE LATELY SPRUNG UP IN AMERICA (1650) 39PART 2: POEMS ADDED TO SEVERAL POEMS (1678) 239PART 3: POEMS AND MEDITATIONS FROM THE ANDOVER MANUSCRIPT 285APPENDIX 1: Prefatory Material to The Tenth Muse 341APPENDIX 2: New Commendatory Poems in Several Poems 349Bibliography 357Index of Titles and First Lines of Bradstreet’s Poems and Prose Pieces 365General Index 371

This new collection of Anne Bradstreet’s writings brings fresh attention to the social networks of Bradstreet’s published and private poetry and prose, highlighting her cerebral temperament and her challenging lyric responses to her Protestant faith. In so doing, it allows Bradstreet not only to claim the title of first American woman poet, but also to take her rightful place among the most accomplished women writing in English in the seventeenth century — women such as Lucy Hutchinson, the Countess of Pembroke, and Amelia Lanyer.—Phillip Round, John C. Gerber Chair in English, University of Iowa