Ron Athey is an iconic figure in contemporary art and performance. In his frequently bloody portrayals of life, death, crisis and fortitude in the time of AIDS, Athey calls into question the limits of artistic practice. These limits enable Athey to explore key themes including gender, sexuality, radical sex, queer activism, post-punk and industrial culture, tattooing and body modification, ritual and religion. This landmark publication includes Athey’s own writings, commissioned essays by maverick artists and leading academics and full-colour images of Athey’s art and performances since the early 1980s. The diverse range of artistic and critical contributors to the book reflects Athey’s creative and cultural impact, among them musician Antony Hegarty of Antony and the Johnsons who contributed a foreword.
Dominic Johnson is a senior lecturer in the Department of Drama at Queen Mary University of London and the editor of Pleading in the Blood: The Art and Performances of Ron Athey and It's All Allowed: The Performances of Adrian Howells.
Foreword – Antony HegartyIntroduction: Towards a Moral and Just Psychopathology – Dominic JohnsonGifts of the Spirit – Ron Athey'There are Many Ways to say Hallelujah!' – Catherine (Saalfield) Gund'Does a Bloody Towel Represent the Ideals of the American People?': Ron Athey and the Culture Wars – Dominic JohnsonBombs Away in Front-Line Suburbia – Homi K. BhabhaDeliverance: The 'Torture Trilogy' in Retrospect – Ron AtheyThe Irreplaceable Bodies: Resistance Through Ferocious Fragility – Julie TolentinoAthey-ism, Collaboration and Hustler White – Bruce LaBruceSex with Ron – Jennifer DoyleThe Man and His Tattoos (By the Man Who Did Them) – Alex BinnieThe Milk Factory on Winchester – Matthew GoulishFlash: On Photographing Ron Athey – Catherine OpieHow Ron Athey Makes Me Feel: The Political Potential of Upsetting Art – Amelia JonesRaised in the Lord: Revelations at the Knee of Miss Velma – Ron AtheyJoyce: The Violent Disbelief of Ron Athey – Lydia LunchJudas Cradle: Invasive Resonance – Juliana SnapperIllicit Transit – Adrian HeathfieldBy Word of Mouth: Ron Athey's Self-Obliteration – Tim EtchellsThe New Barbarians: A Declaration of Poetic Disobedience from The New Border – Guillermo Gomez-Peña
“Pleading in the Blood offers a remarkable and enduring contribution to literatures on performance and contemporary art... The potency of myth in Ron Athey’s work is the problem tackled by this formidable new book.”