Picturing Islam

Kenneth M. George is Professor of Anthropology at the University of Wisconsin-Madison, and an associate of its Center for Southeast Asian Studies. His ethnographic work on contemporary Indonesian art has been supported by many fellowships including awards from the National Endowment for the Humanities and the John Simon Guggenheim Foundation. George's first book, Showing Signs of Violence, was awarded the 1998 Harry J. Benda Prize in Southeast Asian Studies by the Association for Asian Studies. He also served as the Editor of the Journal of Asian Studies from 2005 through 2008.

• List of Illustrations viii Preface xiAcknowledgments xiiiNote on Qur'anic Verse xviiGuide to Indonesian Spelling and Pronunciation xviiiIntroduction: Picturing Islam 11 Becoming a Muslim Citizen and Artist 152 Revelations and Compulsions 393 Diptych – Making Art Islamic and Making Islamic Art Indonesian 54Part 1: Making Art Islamic 54Part 2: Making Islamic Art Indonesian 664 Spiritual Notes in the Social World 805 Anguish, Betrayal, Uncertainty, and Faith 107Conclusion: A Retrospective 132Afterword: Choosing a Frame 143References 148Index 155

"This refreshing approach makes this book a welcome contribution to be read in conjunction with other relevant theoretical and disciplinary works." (Journal of Southeast Asian Studies, 1 February 2012) "This book provides a compelling and richly drawn portrait of an individual artist, and contributes to a deeper understating of the cultural politics of Asia's postcolonial art world and the creative and ethnic sensibilities of its Muslim artists. It is a must-read for contemporary art historians and anthropologists alike." (Journal of Folklore Research, 19 January 2011)"Written in straightforward language with extraordinary sensitivity, this book is addressed to undergraduate students of anthropology, religion, and art history." (Museum Anthropology Review, 2011)