'I have always admired John's fearless pursuit of clarity and this book is a dose of smelling salts thrust under the nose of the body cultural. He has a great instinct for coining or spotting the telling phrase that cuts through the fog of obfuscation and self delusion that so often cloaks arts policy. His analysis of the often unconsciously deceptive language used around arts organisations is as amusing as it is timely. He is a champion of the arts who unusually is able to combine a celebratory love of its productions with unflinchingly honest appraisal of its organisations.' Grayson Perry 'The Arts are necessary and important. They have been doing well in the UK but will undoubtedly face some big challenges in the future. Clear thinking and strong leadership will be required. John Tusa, characteristically articulate and provocative, provides a real stimulus for the thinking which is needed.' - Vernon Ellis (Chair of the British Council) 'This is an important book: not only for its page turning personal account of turbulent times, but also in the insights and challenges offered - reminding all who work in the arts of the need to be sure of our first principles and to defend them resolutely.' - Alan Davey (Chief Executive, the Arts Council) 'It's essential this book is read by anyone in the arts or passionate about the arts. As the inspirational director of the Clore Leadership Programme he is nurturing the talented young people who will ensure this country continues to have world beating arts and culture. His writing is wise, insightful ... And fun.' Tony Hall, Director-General of the BBC 'Simultaneously arts boss and iconoclast, John Tusa is a lifelong scourge of meddling politicians who think the arts are Covent Garden and that targets make good symphonies. His third book on the subject, the fruit of his own years running the Barbican and the Clore Leadership programme, is brilliant on the way artists got to grips with the managerial culture of the Blair years, learnt its good skills and then turned its arid instrumentalism on its head. Essential reading for any council contemplating scrapping its culture budget. Liz Forgan, former Chair, Arts Council England
