Other Planes of There

Selected Writings

Inbunden, Engelska, 2014

Av Renée Green

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For more than two decades, the artist RenÉe Green has created an impressive body of work in which language is an essential element. Green is also a prolific writer and a major voice in the international art world. Other Planes of There gathers for the first time a substantial collection of the work she wrote between 1981 and 2010. The selected essays initially appeared in publications in different countries and languages, making their availability in this volume a boon to those wanting to follow Green's artistic and intellectual trajectory.Charting this cosmopolitan artist’s thinking through the decades, Other Planes of There brings essays, film scripts, reviews, and polemics together with reflections on Green's own artistic practice and seminal artworks. It immerses the reader in three decades of contemporary art showcasing the art and thought, the incisive critiques and prescient observations of one of our foremost artists and intellectuals. Sound, cinema, literature, time-based media, and the relationship between art forms and other forms of knowledge are just a few of the matters that Green takes up and thinks through. Sixty-four pages of color plates were selected by the artist for this lavishly illustrated volume.

Produktinformation

Utgivningsdatum2014-11-10
Mått152 x 229 x 38 mm
Vikt1 093 g
FormatInbunden
SpråkEngelska
Antal sidor277
FörlagDuke University Press
ISBN9780822356929

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Biografier inom Biografier

RenÉe Green is an artist, writer, and filmmaker. Her exhibitions, videos, and films have been seen throughout the world in museums, biennales, and festivals. A selection of her books includes Endless Dreams and Time-Based Streams, Ongoing Becomings, Between and Including, Shadows and Signals, and, as editor, Negotiations in the Contact Zone. Green’s essays and fiction have appeared in magazines and journals such as Transition, October, and Collapse. She is also a Professor at the MIT Program in Art, Culture and Technology, School of Architecture and Planning.

Acknowledgments xi Introductory Essays Other Planes, Different Phases, My Geometry, Times, Movements: Becomings Ongoings 1 Remarks on the Writings of Renee Green, by Gloria Sutton 19 Genealogies 1. Sites of Criticism: A Symposium. Practices: The Problem of Division of Cultural Labor. Statement (1992) 35 2. Discourse on Afro-American Art: The Twenties (1982) 42 3. I Won't Play Other to Your Same (1990) 53 4. What's Painting Got to Do with It? Representing Gender and Sexuality in the Age of Post-Mechanical Reproduction (1990) 57 5. From Camino Road (1994) 64 Circuits of Exchange 6. Open Letter #1: On Influence (1992) 73 7. Open Letter #2: Another Attempt (1993) 78 8. Collectors, Creators, and Shoppers (1994) 83 9. Peripatetic at "Home" (1995) 89 10. Free Agent Media / FAM (1995) 94 11. Situationist Text (2001) 99 12. Introductory Notes of a Reader and "A Contemporary Moment" (2001) 103 Encounters 13. Trading on the Margin (1991) 119 14. Democracy in Question (1991) 128 16. Spike Lee's Mix: Calculated Risks and Assorted Reckonings (1996) 141 17. Compared to What? (1998) 152 18. Notes on Humanist and Ecological Republic and Lac Mantasoa (2000) 156 19. Other Planes of There (2004) 163 20. Archives, Documents? Forms of Creation, Activism, and Use (2008) 176 21. On Kawara's Solutions to Living (2010) 191 Positions 22. "Give Me Body": Freaky Fun, Biopolitics, and Contact Zones (1995) 197 23. Dropping Science: Art and Technology Revisited 2.0 (1995) 210 24. Site-Specificity Unbound: Considering "Participatory Mobility" (1998) 225 25. Slippages (1997) 230 26. Affection Afflictions: My Alien/MySelf, or More "Reading at Work" (1998) 256 27. Survival: Ruminations on Archival Lacunae (2001) 271 28. Beyond (2006) 289 29. Place (2006) 297 Operations 30. Sites of Genealogy (1990) 309 31. VistaVision: Landscapes of Desire (1991) 312 32. Tracing Lusitania: Excerpts from an Imagined Prototype (1995) 317 33. Secret, Part 1. Practiced Places (1992-1993) 320 34. Secret, Part 2. Scenes from a Group Show: Project Unite (1993) 323 35. Inventory of Clues (1993) 335 36. Eighteen Aphoristic Statements (1994) 340 37. Collecting Well Is the Best Revenge (1995) 346 38. The Digital Import/Export Funk Office (1995) 354 39. Wavelinks Transmitted amidst "Dangerous Crossings": Reflections in 2006 (2000, 2006) 364 40. Standardized Octagonal Units for Imagined and Existing Systems (2002) 375 41. Sound Forest Folly: Intermediary Units of a Variable Number (2004) 379 42. Why Systems? (2004) 381 43. Relay (2005) 388 44. Index (From Oblivion): Paradoxes and Climates. Thought Experiments: Warm-up Notes (2005) 392 45. Climates and Paradoxes (2005) 396 46. Why Reply? (2007) 403 47. Now It Seems Like a Dream (2007) 408 48. Imagine This Wherever and Whoever You Are (2008) 411 49. Come Closer: Prelude to Endless Dreams and Water Between (2008) 419 50. Come Closer (2008) 422 51. Endless Dreams and Water Between (2009) 428 Plate Captions 453 Publishing History 463 Curriculum Vitae 469 Index 491

“[B]y interweaving an astounding diversity of tones, modes, subjects, and genres into a single body of writing, Green reveals many of the underlying interactions and interconnections that would seem to shape our contemporary moment. In the pieces collected in the volume, Green oscillates between the poles of academic and literary ambition, combining the poetic with the analytic, the diaristic with the theoretical, the autobiographical with the systematic, the tentative with the polemical. . . . Other Planes of There offers both a critical genealogy of and a reflexive corrective to our present art-historical and political moment.” - André Rottmann (Artforum) “Anticipating the artist’s expanded function-the various ‘turns’ of the 2000s-Green wears many hats, acting at once as a curator, archivist, events organizer, and independent distributor (a role she calls ‘free media agent’). . . . An important resource for those seeking to understand what has happened in progressive art discourse for the past twenty years. Other Planes of There also offers a model for how artists might situate their work through a critical, process-intensive writing practice.” - Thom Donovan (BOMB) “The book is evidence of what remains an ongoing process, which continues to grow in the minds of those that read it or come to encounter Green’s work. Rooted within the fabric of every text is Green’s voice, which remains one of questioning the world, through a continual prodding and reexamination of methods of understanding, transmission, and communication.” - Maia Nichols (Full Stop) “Complete with an extensive Publishing History, Curriculum Vitae and Index that indicate clearly the rich scope of this anthology, this certainly is a beautiful example of what thinking through and with work can lead to.” - Edith Doove (Leonardo Reviews)