' Laetitia Nanquette has taken a neglected topic, the mutual representation of France and Iran in French and Persian narrative prose literature of the last thirty years and subjected it to a forensic analysis of great skill and subtlety. Guiding the reader gently through the different categories into which she has divided the eighty or more texts that relate to the theme of stereotyping and Othering, she moves from a discussion of the essentialised illusions of the Other and finally, through carefully defined stages, to the hybridity and the acceptance of alterity found in some recent fiction. It is rare to find a scholar so well read in imagology, post-colonial and post-modernist literary theory, who can express difficult concepts clearly and logically, whilst showing at the same time a sophisticated sense of the nuances of Persian prose. Laetitia Nanquette has produced a work of unusual maturity and insight.' John Gurney, Emeritus Fellow, Wadham College, University of Oxford ' Laetitia Nanquette's comparative study of imaging between the French and the Iranians since 1979 is both topical and refreshing. It is topical because it sheds light from a literary angle on Iran's complex love-hate relationship with its most significant non-Anglo western interlocutor. Nanquette's work is refreshing in that it avoids seeing occidentalism as a perfect mirror of orientalism, thereby opening a space in which mutual cultural Othering can be contested. Nanquette's exploration of the varied and often fraught modes of writing adopted in the Iranian diaspora adds to our understanding of the challenges faced by exiled Iranian writers, and their quest for self-expression.' Dominic Parviz Brookshaw, Assistant Professor of Comparative Literature and Persian Literature, Stanford University and co-editor of Forugh Farrokhzad, Poet of Modern Iran: Iconic Woman and Feminine Pioneer of New Persian Poetry (I.B.Tauris, 2010)