What can philosophy teach us about cinema? Can cinema transform how we understand philosophy? How should we describe the competing approaches to philosophizing on film? New Philosophies of Film answers these questions by offering a lucid introduction to the exciting developments and contentious debates within the philosophy of film. Mapping out the conceptual terrain, it examines both analytic and continental approaches to cinema and puts forward a pluralist film philosophy, grounded in practical examples from film, documentaries and television series.Now thoroughly updated to showcase the most recent developments in the field, this 2nd edition features:· New chapters on phenomenology, cinematic ethics, philosophical documentary film and television as philosophy, incorporating feminist, socio-political, ethical and ecological approaches to cinema· Contemporary case studies including Carol, Roma, Melancholia, two Derrida documentaries, and the Netflix series Black Mirror· Expanded coverage of Gilles Deleuze and Stanley Cavell, two of the most influential philosophers of film· An updated bibliography, filmography and reading lists, with links to online resources to support further studyDemonstrating how the film-philosophy encounter can open up new paths for thinking, New Philosophies of Film is an essential resource for putting interdisciplinary inquiry into practice.
Robert Sinnerbrink is Associate Professor of Philosophy at Macquarie University, Australia.
List of FiguresPreface: Philosophical Film Theory TodayIntroduction: Why Did Philosophy Go to the Movies?Part I: The Analytic-Cognitivist Turn1. The Empire Strikes Back: Critiques of 'Grand Theory'2. The Rules of the Game: New Ontologies of Film3. Adaptation: Philosophical Approaches to NarrativePart II: From Cognitivism to Phenomenology to Film-Philosophy4. A.I: Cognitivism Goes to the Movies5. Body Double: Adventures in Phenomenology6. Bande à part: Deleuze's Cine-Philosophy7. Now, Voyager: Cavell as Film-Philosopher8. Scenes from a Marriage: The “Film as Philosophy”9. What is Cinematic Ethics?: Cuáron's Roma (2018) as Case StudyPart III: Cinematic Thinking10. Photobiographies: The 'Derrida' Documentaries as Film-Philosophy11. Planet Melancholia (2011): Romanticism, Mood, and Cinematic Ethics12. Television as Philosophy: Reflections on Black MirrorConclusion: A Dialogue on the Future of Film-PhilosophyNotesAppendix: Further Reading, Online Resources, WebsitesBibliographyFilmographyIndex
A valuable book for advanced students and scholars in film studies/film theory, and for philosophers concerned with the art of film.
Lucy Bolton, David Martin-Jones, Robert Sinnerbrink, University of London) Bolton, Lucy (Reader in Film Studies, Queen Mary, University of Glasgow) Martin-Jones, David (Professor of Film Studies, Sydney) Sinnerbrink, Robert (Associate Professor of Philosophy, Macquarie University
Lucy Bolton, David Martin-Jones, Robert Sinnerbrink, University of London) Bolton, Lucy (Reader in Film Studies, Queen Mary, University of Glasgow) Martin-Jones, David (Professor of Film Studies, Sydney) Sinnerbrink, Robert (Associate Professor of Philosophy, Macquarie University
Lucy Bolton, David Martin-Jones, Robert Sinnerbrink, University of London) Bolton, Lucy (Reader in Film Studies, Queen Mary, University of Glasgow) Martin-Jones, David (Professor of Film Studies, Sydney) Sinnerbrink, Robert (Associate Professor of Philosophy, Macquarie University