Neighboring Text

George Edmondson is associate professor of English at Dartmouth College.

"This book breaks new ground in the field of literary history. . . . [Its] originality lies in its argument that literary inventiveness is spurred not by an Oedipal relation but by 'identification, aggression, love, charity, and the possibility of a community organized around something other than sacrifice and exchange.' This has large implications for textual relations." —Medium Aevum"The Neighboring Text: Chaucer, Boccaccio, Henryson establishes a new way of looking at the relationship between texts, particularly the Troilus text of the three authors mentioned in the title. Moving beyond simple ideas of genealogy, Edmondson introduces the concept of neighboring and thus offers a fresh perspective on the interaction between the texts that deal with the story of Troilus and Criseyde." —Sixteenth Century Journal"This is a valuable contribution to the field and a book that well repays deep engagement, critique, and debate, for there is a level of erudition here that is not easy to put to one side, and which calls out for further discussion." —Parergon"The Neighboring Text in many ways proceeds from the ground-shifting studies of historicists who work with psychoanalytic concepts, like Ingham and Aranye Fradenburg. But, making full critical use of a specialized psychoanalytic vocabulary, it also offers a new model for assessing the relations between texts in a culture in which the imperative to neighbor love was taken seriously and potentially influenced a medieval reader's response to a text." —Comitatus"Over thirty years ago, Richard Rorty said that 'we are in for another few hundred years of getting adjusted to the availability of the psychoanalytic vocabulary.' The appearance of George Edmondson's The Neighboring Text is surely an eloquent demonstration of just how fast such adjustment is happening and how developed critical uses of this psychoanalytic vocabulary has become. In the same spirit, it is also true to say that this is surely a book ahead of its time." —Review of English Studies"The connections between Henryson and Chaucer, and then Chaucer and Boccaccio, are hard to overlook. George Edmondson's book takes a new vantage on this well-known situation, specifically on each poet's telling of the doomed love affair between Troilus and Criseyde." —Renaissance Quarterly"Edmondson (Dartmouth) has written an exemplary study of literary relations of the late Middle Ages. . . . The book is well grounded in psychoanalytic theory, yet Edmondson's prose is conversational and clear, which is refreshing. The book also acts as a literary history of sorts . . . which is both useful and necessary. . . . This reviewer has not read such a masterful study of Henryson's text in some time." —Choice"This is the most important recent reconfiguration of medieval English literary history. Edmondson's book reanimates both a rigorous psychoanalytic method and the question of what Chaucer did to Il Filostrato. It demonstrates not only that Boccaccio, Chaucer, Henryson, C. S. Lewis, David Wallace, and Aranye Fradenburg belong in the same neighborhood but that its smart and urgent thinking about what it means to be a neighbor could open valuable new real estate in medieval literary studies generally." —D. Vance Smith, Princeton University"George Edmondson's book marks an innovative and promising approach to the Chaucerian tradition of Trojan historical fiction. This is an incredibly smart and compelling book. Its central idea about reconfiguring genealogical relations between texts into 'neighbor' relations that can complicate the normally linear ideas of cause-effect-revision extends our historical understanding of medieval texts and invigorates a field that threatens to become a rigid and stultified scene of reading." —Elizabeth Scala, University of Texas, Austin"George Edmondson has authored a major intervention into medieval cultural studies. A brilliant work of criticism, The Neighboring Text reconfigures how to think about textual relations, opening a space where meanings unfold through contiguity rather than filiation of influence. The book deploys a historically sensitive psychoanalytic mode of analysis that foregrounds the place of the ethical within literary analysis." —Jeffrey J. Cohen, George Washington University