This book joins the respected tomes on critical Africana social thought that Rabaka edits for the publisher's 'Critical Africana Studies' series. His book proves, if ever proof is needed, that there are kindred links between the Africana intellectual traditions in Africa and in the African diaspora. He traces that intellectual lineage to the 'central intellectual antecedent' of 'Du Boisian Negritude' that is detected in the Pan-Africanism of Du Bois and in his influential text The Souls of Black Folk. Rabaka organically links Du Bois to the New Negro Movement of the Harlem Renaissance and to the tendencies Rabaka identifies as Damasian, Cesairean, Senghorian, and, contentiously, Fanonian, negritudes. Rabaka argues that negritude intellectual activists centered their social thought on Africa and must therefore be reinterpreted with the Afrocentric theories of Du Bois rather than depend on paradigms from Eurocentrism, against which most of those intellectuals rebelled. Using the ideological differences between Du Bois and Booker T. Washington as a model, Rabaka suggests that there were conservative and radical tendencies in the Harlem Renaissance and in the negritude movement as well . . . Summing Up: Recommended. All levels/libraries.