Sunil Sharma’s Mughal Arcadia draws on Persian poetry produced in India to evoke a world that is now as lost and strange as Atlantis or Shangri-La. The Persian poets presented India as a land of wonders and riches, a pastoral paradise. As I read on, an impossible longing came over me—to visit seventeenth century Kashmir and see for myself what the poets described and the miniaturists painted: the spring festivals, harem processions, falcon hunts, well-watered gardens with their fruit trees, Sufis, nightingales, wild dogs, and cities devoted to love and poetry… This exploration of a hitherto largely neglected subject is based on remarkably wide reading and is a credit to scholarship.