Minimal Art

Gregory Battcock was a painter, lecturer in art history and criticism, and editor of The New Art: A Critical Anthology and The New American Cinema. He was a frequent contributor to Arts Magazine, Art and Literature, College Art Journal, and Film Culture. Anne M. Wagner is Professor of the History of Art, University of California, Berkeley.

• Anne M. Wagner: Reading Minimal ArtPrefaceLawrence Alloway: Systemic PaintingMichael Benedikt: Sculpture as Architecture: New York Letter,1966-67Mel Bochner: Serial Art, Systems, SolipsismDavid Bourdon: The Razed Sites of Carl AndreNicolas Calas: Subject Matter in the Work of Barnett NewmanMichael Fried: Art and ObjecthoodBruce Glaser: Questions to Stella and JuddE. C. Goossen: Two ExhibitionsDan Graham: PhotographsClement Greenberg: Recentness of SculpturePeter Hutchinson: Mannerism in the AbstractDavid Lee: A Systematic Revery from Abstraction to NowAllen Leepa: Minimal Art and Primary MeaningsLucy R. Lippard: Eros PresumptiveRobert Morris: Notes on SculptureToby Mussman: Literalness and the InfiniteBrian O'Doherty: Minus PlatoJohn Perreault: Minimal AbstractsYvonne Rainer: A Quasi Survey of Some "Minimalist" Tendenciesin the Quantitatively Minimal Dance Activity Midst the Plethora,or an Analysis of Trio ABarbara Rose: A B C ArtHarold Rosenberg: Defining ArtIrving Sandler: Gesture and Non-Gesture in Recent SculptureWilloughby Sharp: Luminism and KineticismElayne Varian: Schemata 7Samuel Wagstaff, Jr.: Talking with Tony SmithRichard Wollheim: Minimal ArtMartial Raysse, Dan Flavin, Robert Smithson: WritingsBibliography (compiled by Alicja T. Egbert)Index