One of the The Daily Beast's (Brad Gooch) Favorite Books of the Year for 2010 "But for sheer joy of reading, reach for Michelangelo: A Life on Paper, by Leonard Barkan ($49.50). The writer is a professor of comparative literature at Princeton, and his view of the artist usually regarded as superhuman, a Sistine-style colossus, is through the intimate, sometimes all-too-human medium of his words--private letters, poems, notes to self--as well as drawings. Personable in tone, astute in observation, Mr. Barkan's book is that rare thing, a historical study as absorbing as a novel."--Holland Cotter, New York Times "In Michelangelo: A Life on Paper (Princeton University Press, 366 pages, $49.50), scholar Leonard Barkan has not only found something new to say about this well-picked-over artist; he has come up with a new approach to his subject, producing one of the most absorbing books of the year. Like many Renaissance artists, Michelangelo often used the same piece of paper for multiple purposes. A given sheet might contain sketches, wording for a contract, fragments of verse and a shopping list--what Mr. Barkan vividly describes as a 'riot of activities.' Until now, scholars have approached these sheets piecemeal, focusing on the parts of greatest interest to them--the figure sketches, say--to the exclusion of the others. Mr. Barkan's simple but, as it turns out, revolutionary idea was to ask himself: 'What can we learn by taking each sheet as an organic unity and regarding everything on it as equally relevant?' Mr. Barkan's book blends art history, biography and detective work to give us an unparalleled insight into the mind of Michel angelo as a creator, citizen, papal lackey, businessman and family man."--Eric Gibson, Wall Street Journal "Leonard Barkan's ingenious, lavishly illustrated study does not linger over the familiar aspects of the Divine One's life and work. It focuses instead on the artist's 'life on paper,' the hundreds of sheets that have survived containing drawings, poems, doodles, instructions to assistants and 'notes to self.' For Barkan, a professor of comparative literature at Princeton, these sheets are a treasure trove of aesthetic delights; traces of the historical context of Renaissance art making; and, most important, a window onto the personality and artistic practice of a figure who came to define genius... Barkan is a tentative but deeply learned interpreter. His close readings of these complex traces are marvels of erudition, even though he understands that claims about the meaning of these images will never be proven... Barkan is a sensitive and thoughtful guide through this fragile legacy of a monumental figure. Michelangelo, he writes, 'remains stuck in the paradox of a godlike creativity that cannot bring him closer to God.' This biography of the artist's 'life on paper' reveals both his solitude and his efforts at communion. Barkan's reading of the richly evocative paper trail reminds us how much we still have to learn about this towering, quivering man."--Michael S. Roth, Washington Post "A sumptuous art book full of brain food, Michelangelo is a book and concept that has been hiding in plain sight for centuries. Princeton University Comp Lit Professor Leonard Barkan has decided to shift his eye, and attention, two inches to the left and right to take seriously all the scribbling, doodling, lines of poetry, and notes to workshop assistants, in the margins of Michelangelo's drawings on paper. (The volume includes more than 200 museum-quality reproductions of the artist's most private papers, many in color.) As quirkily brilliant--and ultimately more satisfying and helpful than--Derrida's '80s meditations on Nietzche's laundry list, Barkan's book is both fun and a paradigm shift."--Brad Gooch, Daily Beast "With a similar spirit of pure joy in language's capacity to illuminate great art and great artists, Leonard Barkan in Michelangelo: A Life on Paper gives us a more human Michelangelo who looks and sounds a lot like us today, but with all the genius left intact."--Bob Dugan, Big Think "Barkan explores the full complexity of Michelangelo as revealed in hundreds of pieces of paper on which the artist combined both writing and drawing. This is the first study to fully explore the intriguing interplay of words and images, providing numerous insights into the artist's life, work, and unconscious motivations... His brilliant analysis of individual sheets vividly highlights the important role played by the written word in Michelangelo's artistic process and creativity. The book provides a rare and intimate look at how Michelangelo's artistic genius expressed itself, especially in moments of unselfconscious expression when the artist shifted from drawing to words and vice versa. Illustrated with more than 200 excellent reproductions, many in color, this sumptuous volume is beautifully produced."--Choice "Barkan's analyses are rich and complex--this is a book that rewards close reading... The book is beautifully produced, with excellent reproductions."--Bernadine Barnes, European Legacy
