Del 0 - Music Scholarship and Performance

Meter in Music, 1600–1800

Performance, Perception, and Notation

Häftad, Engelska, 2000

319 kr

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"All practising musicians with an interest in the baroque owe it to themselves to be exposed to the ideas contained in this book." —Continuo"This is a book from an excellent musician in the early field who turns out also to be a most persistent scholar . . . " —Early Music" . . . the book offers a vast quantity of data from a wide range of sources. . . . George Houle is to be congratulated for his honest presentation of the entire spectrum." —Music Educators JournalThe treatment of meter in performance has evolved dramatically since 1600. Here is a practical guide for the performer, with many quotations from early manuals and treatises, and abundant examples.

Produktinformation

Utgivningsdatum2000-06-22
Mått156 x 235 x undefined mm
Vikt186 g
FormatHäftad
SpråkEngelska
SerieMusic Scholarship and Performance
Antal sidor192
FörlagIndiana University Press
ISBN9780253213914

Tillhör följande kategorier

Klassisk musik, konstmusik och orkestermusik inom Kultur
Musikvetenskap inom Kultur

George Houle, Professor Emeritus of Music at Stanford University and former music director of the New York Pro Musica, is a performer and music historian particularly interested in the Renaissance and Baroque periods. He is editor of Doulce mémoire, Le ballet des fâcheux, and Ockeghem's Missa Cuiusvis Toni, and co-editor of The Music for Viola Bastarda by Jason Paras (all from Indiana University Press).

Introduction1. The Origins of the Measure in the Seventeenth Century2. Time Signatures in the Eighteenth Century3. Rhythmopoeia: Quantitative Meters in Poetry and Music4. Quantitas Intrinseca: The Perception of Meter5. Articulation of Quantitative Meter6. Accent as Measure Articulation and as Measure DefinitionAppendix: Rhythmopoeia according to Johann Mattheson and Wolfgang Caspar PrintzNotesBibliographyIndex

"More than the notation was different! ... fine addition ... " --Early Music News "All practising musicians with an interest in the baroque owe it to themselves to be exposed to the ideas contained in this book." -Continuo "This is a book from an excellent musician in the early field who turns out also to be a most persistent scholar ... " --Early Music " ... the book offers a vast quantity of data from a wide range of sources... George Houle is to be congratulated for his honest presentation of the entire spectrum." --Music Educators Journal