Longman Reader, The
Häftad, Engelska, 2018
619 kr
This print textbook is available for students to rent for their classes. The Pearson print rental program provides students with affordable access to learning materials, so they come to class ready to succeed.
For courses in first-year composition.
The acclaimed rhetorical modes reader, with detailed writing guidance
Best¿-seller The Longman Reader combines celebrated pedagogy with a wealth of readings to help students develop sound writing skills. The opening chapters focus on reading critically and the writing process, while subsequent chapters provide detailed writing instruction. To demonstrate various developmental patterns, the text presents professional essays ranging in approach and subject matter — from the humorous to the informative, and from personal meditation to argument. The 12th Edition includes 23 new professional selections, a new, predominantly visual composition, and additional coverage of how to critically assess both words and images.
Produktinformation
- Utgivningsdatum2018-02-19
- Mått188 x 229 x 25 mm
- Vikt844 g
- SpråkEngelska
- Antal sidor640
- Upplaga12
- FörlagPearson Education
- EAN9780134752808
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About our authors Judith Nadell was Associate Professor of Communication at Rowan University (New Jersey). During her 18 years at Rowan, she coordinated the introductory course in the Freshman Writing Sequence and served as Director of the Writing Lab. A Phi Beta Kappa graduate of Tufts University, she received a doctorate from Columbia University. With a special commitment to grassroots literacy, she founded and designed an adult literacy program, a children's reading enrichment initiative and a family literacy project. She is the author of Becoming a Read-Aloud Coach and Vocabulary Basics (both Townsend Press); the creator of The King School Series (also Townsend Press); and the coauthor of Doing Well in College (McGraw-Hill), The Longman Reader, and The Longman Writer. The recipient of a New Jersey award for excellence in teaching writing, Judith Nadell lives with her coauthor husband, John Langan, near Philadelphia.John Langan taught reading and writing at Atlantic Cape Community College near Atlantic City, New Jersey, for more than 25 years. Before teaching, he graduated magna cum laude from LaSalle University and earned advanced degrees in writing at Rutgers University and in reading at Rowan University. Coauthor of The Longman Reader and author of a series of college textbooks on both reading and writing, he has published widely with McGraw-Hill Book Company, Townsend Press, and Longman. Through Townsend Press, his educational publishing company, he has developed the nonprofit “Townsend Library,” a collection of more than 100 new and classic stories that appeal to readers of any age.Deborah Coxwell-Teague currently serves as director of Florida State University's College Composition Program. In this capacity, she is involved in the training and supervision of close to 150 graduate teaching assistants who teach approximately 425 sections of College Composition annually. She has also served as director of FSU's Reading/Writing Center and has taught composition at both the high school and community college levels. Her research interests focus on teacher training and composition.Deborah's publications include Finding Our Way: A Writing Teacher's Sourcebook, coauthored with the late Wendy Bishop; Everything's a Text, a composition textbook coauthored with Dan Melzer; First-Year Composition: From Theory to Practice, coauthored with Ronald Lunsford and recent editions of both The Longman Writer and The Longman Reader.
- BRIEF CONTENTS Becoming a Critical Reader and ThinkerThe Writing ProcessDescriptionNarrationIllustrationDivision-ClassificationProcess AnalysisComparison-ContrastCause-EffectDefinitionArgumentation-PersuasionCombining the PatternsFULL CONTENTS Thematic ContentsOverview of ChecklistsRevision/Peer Review ChecklistPreface Becoming a Critical Reader and Thinker Critical Reading: An IntroductionStage 1: Get an Overview of the Selection First Reading: A ChecklistStage 2: Deepen Your Sense of the Selection Second Reading: A ChecklistStage 3: Critically Evaluate the Selection Critically Evaluating a Selection: A ChecklistCritically Assess Visuals in a Reading Critically Assessing an Image: An ExampleCritically Assessing a Graph: An ExampleA Model Annotated Reading Larry Rosen, “Our Obsessive Relationship with Technology”The Writing Process The Steps in the Writing ProcessStage 1: Using Prewriting to Get Started Keep a JournalUnderstand the Boundaries of the AssignmentDetermine Your Purpose, Audience, and ToneAnalyzing Your Audience: A ChecklistDiscover Your Essay’s Limited SubjectGenerate Raw Material About Your Limited SubjectConduct ResearchOrganize the Raw MaterialActivity Set 1: PrewriteStage 2: Identify the Thesis Writing an Effective ThesisAvoiding Thesis PitfallsActivity Set 2: Identify The ThesisStage 3: Support the Thesis with Evidence What Is Evidence?Where Do You Find Evidence?How the Patterns of Development Help Generate EvidenceCharacteristics of EvidenceActivity Set 3: Support the Thesis with EvidenceStage 4: Organize the Evidence Use the Patterns of DevelopmentSelect an Organizational ApproachPrepare an OutlineOutlining: A ChecklistActivity Set 4: Organize the EvidenceStage 5: Write the First Draft How to ProceedTurning an Outline into a First Draft: A ChecklistWrite the Supporting ParagraphsConnect Ideas in the Supporting ParagraphsWrite the IntroductionWrite the ConclusionCreate the TitlePull It All TogetherSample First Draft by Caylah FrancisCommentaryActivity Set 5: Write the First DraftStage 6: Revise the Essay Five Revision StrategiesPeer Review: An Additional Revision StrategyRevision/Peer Review ChecklistPeer Review WorksheetStage 7: Edit and Proofread Student Essay: Final Edited and Proofread Draft by Caylah FrancisCommentaryActivity Set 6: Revise the EssayDescription What Is Description?How Description Fits Your Purpose and Audience Objective and Subjective DescriptionTone and LanguageStrategies for Using Description in an EssayRevision StrategiesDescription: A Revision/Peer Review ChecklistStudent Essay by Leanna StouferCommentaryActivities: DescriptionProfessional Selections: DescriptionMario Suárez, “El Hoyo”Cherokee Paul McDonald, “A View from the Bridge”Judith Ortiz Cofer, “A Partial Remembrance of a Puerto Rican Childhood”Patricia Smith, “Talking Wrong”Michael Johnston, “The Human Eye”Additional Writing TopicsNarration What Is Narration?How Narration Fits Your Purpose and AudienceStrategies for Using Narration in an EssayRevision StrategiesNarration: A Revision/Peer Review ChecklistStudent Essay by Laura Rose DunnCommentaryActivities: NarrationProfessional Selections: NarrationAudre Lorde, “The Fourth of July”Lynda Barry, “The Sanctuary of School”Daniel “Nane” Alejandrez, “César Chávez Changed My Life”David Bardeen, “Lives; Not Close Enough for Comfort”Dorothea Lange, “Migrant Mother”Additional Writing TopicsIllustration What Is Illustration?How Illustration Fits Your Purpose and AudienceStrategies for Using Illustration in an EssayRevision StrategiesIllustration: A Revision/Peer Review ChecklistStudent Essay by Charlene AdamsCommentaryActivities: IllustrationProfessional Selections: IllustrationKay S. Hymowitz, “Tweens: Ten Going On Sixteen”Casey Cavanaugh, “Why We Still Need Feminism”Stuart Rojstaczer, “GradeInflation.com: Grade Inflation at American Colleges and Universities”Beth Johnson,”Bombs Bursting in Air”Emmy Blotnick, “A Visual History of Shoes”Additional Writing TopicsDivision-Classification What Is Division-Classification?How Division-Classification Fits Your Purpose and AudienceStrategies for Using Division-Classification in an EssayRevision StrategiesDivision-Classification: A Revision/Peer Review ChecklistStudent Essay by Catherine GispertCommentaryActivities: Division-ClassificationProfessional Selections: Division-ClassificationAmy Tan, “Mother Tongue”David Brooks, “Harmony and the Dream”Francis Gilbert, “What Makes a Great Teacher?”Todd Kliman, “Coding and Decoding Dinner”Truity Psychometrics, “The Best Careers for Your Personality Type”Additional Writing TopicsProcess Analysis What Is Process Analysis?How Process Analysis Fits Your Purpose and Audience Problem SolvingProcess Analysis Combined with Other StrategiesStrategies for Using Process Analysis in an EssayRevision StrategiesProcess Analysis: A Revision/Peer Review ChecklistStudent Essay by Jared MosleyCommentaryActivities: Process AnalysisProfessional Selections: Process AnalysisAmy Sutherland, “What Shamu Taught Me About a Happy Marriage”Alex Horton, “On Getting By”Caroline Rego, “The Fine Art of Complaining”Werner Gundersheimer, “A Mother’s Secret”Antonia C. Novello, “First Aid for Choking”Additional Writing TopicsComparison-Contrast What Is Comparison-Contrast?How Comparison-Contrast Fits Your Purpose and AudienceStrategies for Using Comparison-Contrast in an EssayRevision StrategiesComparison-Contrast: A Revision/Peer Review ChecklistStudent Essay by Blake NormanCommentaryActivities: Comparison-ContrastProfessional Selections: Comparison-ContrastJeffrey N. Wasserstrom, “A Mickey Mouse Approach to Globalization”Pico Iyer, “Chapels: On the Rewards of Being Quiet”Stefany Anne Golberg, “You Can Take It with You”Savita Iyer, “The Pros and Cons of Going Vegan”Fatima Alissa, “Aleppo: Before and After the Syrian Civil War”Additional Writing Topics 326Cause-Effect What Is Cause-Effect?How Cause-Effect Fits Your Purpose and AudienceStrategies for Using Cause-Effect in an EssayRevision StrategiesCause-Effect: A Revision/Peer Review ChecklistStudent Essay by Erica ZwiegCommentaryActivities: Cause-EffectProfessional Selections: Cause-EffectJane S. Shaw, “Nature in the Suburbs”Leila Ahmed, “Reinventing the Veil”Jacques D’Amboise, “Showing What Is Possible”Juan Williams, “The Ruling That Changed America”DecideToDrive, “OMG”Additional Writing TopicsDefinition What Is Definition?How Definition Fits Your Purpose and AudienceStrategies for Using Definition in an EssayRevision StrategiesDefinition: A Revision/Peer Review ChecklistStudent Essay by Olivia FletcherCommentaryActivities: DefinitionProfessional Selections: DefinitionJhumpa Lahiri, “My Two Lives”Laura Fraser, “The Inner Corset”Lillian Comas-Díaz, “Hispanics, Latinos, or Americanos: The Evolution of Identity”Josie Appleton, “The Body Piercing Project”Quinn Mathews, “Global Warming Brochure”Additional Writing TopicsArgumentation-Persuasion What Is Argumentation-Persuasion?How Argumentation-Persuasion Fits Your Purpose and Audience Logos, or Soundness of the ArgumentPathos, or the Emotional Power of LanguageEthos, or Credibility and ReliabilityAnalyzing Your AudienceStrategies for Using Argumentation-Persuasion in an EssayUsing Rogerian Strategy: A ChecklistQuestions for Using Toulmin Logic: A ChecklistRevision StrategiesArgumentation-Persuasion: A Revision/Peer Review ChecklistStudent Essay by Lydia GummCommentaryActivities: Argumentation-PersuasionProfessional Selections: Argumentation-PersuasionStanley Fish, “Free-Speech Follies”Mary Sherry, “In Praise of the ‘F’ Word”Wendell Berry, “Farming and the Global Economy”Mike Rose, “Blue-Collar Brilliance”Paired Readings: Obesity in AmericaMichael Marlow & Sherzod Abdukadirov, “Government Intervention Will Not Solve Our Obesity Problem”Anna Brones, “Should the Government Be Responsible for Regulating Obesity?”Paired Readings: Gender in the ClassroomGerry Garibaldi, “How the Schools Shortchange Boys”Michael Kimmel, “A War Against Boys?”Paired Readings: Selling Human OrgansAlexander T. Tabarrok, “A Moral Solution to the Organ Shortage”Virginia Postrel, “Need Transplant Donors? Pay Them”Tami Luhby, Tal Yellin, and Caroline Matthews, “Just How Much Better Off Are College Grads Anyway?”Additional Writing TopicsCombining the Patterns The Patterns in Action: During the Writing ProcessThe Patterns in ActionStudent Essay by Houston BarberProfessional Selections: Combining the PatternsHillary Rodham Clinton, “Remarks to the United Nations Fourth World Conference on Women Plenary Session”Alice Steinbach, “The Miss Dennis School of Writing”Jonathan Swift, “A Modest Proposal”Paramount Pictures, “Selma”Appendix A: A Guide To Using Sources Understanding Primary Versus Secondary ResearchConducting Primary Research Conducting InterviewsGathering Information with SurveysConducting Secondary Research Finding Books on Your SubjectFinding Periodicals on Your SubjectFinding Sources on the InternetLearning More About the Advantages and Limitations of the Library and the WebPreparing an Annotated Bibliography Recording Information About the SourceCritically Evaluating Sources RelevanceTimelinessSeriousness of ApproachObjectivityCritically Evaluating Articles and Books: A ChecklistCritically Evaluating Internet Materials: A ChecklistAnalyzing and Synthesizing Source Material Analyzing Source MaterialSynthesizing Source MaterialsAnalyzing and Synthesizing Source Material: A ChecklistEffectively Using Quotation, Summary, and Paraphrase QuotationSummaryParaphraseUsing Quotation, Summary, and Paraphrase: A Checklist Avoiding PlagiarismIntegrating Sources into Your Writing Using Sources EffectivelyAwkward Use of a QuotationEffective Use of a SourceIntroducing a SourceUsing Variety in AttributionsShortening or Clarifying QuotationsCapitalizing and Punctuating Short QuotationsPresenting StatisticsIntegrating Sources into Your Writing: A ChecklistDocumenting Sources to Avoid Plagiarism What Needs to Be Documented?What Does Not Need to Be Documented?Creating In-Text References: MLA FormatPreparing the Works Cited List: MLA Format General Instructions for the MLA Works Cited ListCitation ExamplesPreparing the References List: APA Format Parenthetic Citations in the TextGeneral Instructions for the APA References ListCiting Print Sources–PeriodicalsCiting Print Sources–BooksCiting Sources Found on a WebsiteCiting Sources Found Through an Online Database or Scholarly ProjectCiting Other Common SourcesExamining How Sources Are Used Correctly in Both MLA and APA Formats in a Student-Authored Research Essay MLA Style DocumentationAPA Style DocumentationAppendix B: Avoiding Ten Common Writing Errors FragmentsComma Splices and Run-onsFaulty Subject—Verb AgreementFaulty Pronoun AgreementMisplaced and Dangling ModifiersFaulty ParallelismComma MisuseApostrophe MisuseConfusing HomonymsMisuse of Italics and UnderliningAcknowledgments Index