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For the affluent merchant class of fifteenth-century Florence, the education of future generations was a fundamental matter. Together with texts, images played an important role in the development of the young into adult citizens. In this book, Federico Botana demonstrates how illustrated manuscripts of vernacular texts read by the Florentine youth facilitated understanding and memorisation of basic principles and knowledge. They were an important means of acquiring skills then considered necessary to gain the respect of others, to prosper as merchants, and to participate in civic life. Botana focuses on illustrated texts that were widely read in Quattrocento Florence: the Fior di virtù (a moral treatise including a bestiary), the Esopo volgarizzato (Aesop's Fables in Tuscan), the Sfera by Goro Dati (a poem on cosmology and geography), and mathematical manuals known as libri d'abbaco. He elucidates, in light of original sources and medieval and modern cognitive theory, the mechanisms that empowered illustrations to transmit knowledge in the Italian Renaissance.
Federico Botana is an art historian who specialises in the art of fourteenth- and fifteenth-century Italy. Previous publications include The Works of Mercy in Italian Medieval Art (2012) and several academic articles on illuminated manuscripts. His main research interest concerns the didactic uses of images, especially manuscript illustrations and mural painting.
Illustrations; Acknowledgements; Editorial note; Abbreviations; 1. Introduction; 2. Two youths; 3. Mental images; 4. Virtues, sins, and the senses in the fior di virtù; 5. Serving the state in the fior di virtù; 6. Dealing with others in the esopo volgarizzato; 7. The flesh in the fior di virtù and the esopo volgarizzato; 8. Mathematics, body, form, and metaphor in libri d'abbaco; 9. The cosmos in goro dati's sfera; 10. Navigation and geography in the sfera; 11. Conclusion; Bibliography; Index.
'…[Botana's] thoroughly researched study of illustrated pedagogical manuscripts uncovers a scholarly diet that was diverse, popular and above all practical, arising from the smut and noise of the urban street and the pragmatic requirements of business and civic life. ... Florence and its books, Botana shows, brimmed with character and life …' James Waddell, The Times Literary Supplement