Del i serien Exeter Studies in Medieval Europe

Latin Song in the Medieval West

Nyhet

Inbunden, Engelska, 2027

AvMary Channen Caldwell,Anne-Zoé Rillon-Marne

3 439 kr

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Latin Song in the Medieval West reconsiders the porous boundaries and shifting identities of medieval Latin song through new methodologies and interdisciplinary inquiry. Moving beyond inherited binaries—text and music, sacred and secular, Latin and vernacular—the volume explores what it meant to sing in Latin across diverse social, cultural, and performative contexts. Rather than treating Latin song as coterminous with the liturgy, the essays foreground its multivalence: its mobility across institutions and regions, its adaptability across genres, and its capacity to accrue meaning over time.Bringing together musicology, literary studies, history, theology, and performance studies, the contributors examine Latin song in relation to ritual practice, intertextuality, gender, memory, transmission, rhetoric, genre, and voice. Several essays also interrogate “song” itself as a conceptual and theoretical category, asking how medieval thinkers and singers understood its powers and possibilities.Taken together, the volume presents Latin song as a dynamic and culturally embedded practice central to medieval intellectual, devotional, and social life. By situating Latin song within broader networks of performance and meaning, Latin Song in the Medieval West offers a rethinking of how Latin song functioned—and why it mattered—in the European Middle Ages.An Open Access version of the following chapter will be available on publication on the Liverpool University Press website: Alessandra Ignesti, “Ritual Archaeology of a Song-Form Trope for Christmas: Reworkings of Cum gaudio concurrite”.

Produktinformation

Utgivningsdatum2027-01-08
Mått163 x 239 x undefined mm
FormatInbunden
SpråkEngelska
SerieExeter Studies in Medieval Europe
Antal sidor496
FörlagLiverpool University Press
ISBN9781836240068

Tillhör följande kategorier

Musikvetenskap inom Kultur
Klassisk musik, konstmusik och orkestermusik inom Kultur
Musikhistoria inom Kultur
Medeltiden inom Historia och arkeologi

Mary Channen Caldwell is Associate Professor of Music at the University of Pennsylvania. She focuses her current research on medieval song, devotion, hagiography, dance, and religious conversion, and is the author of Devotional Refrains in Medieval Latin Song (2022). Anne-Zoé Rillon-Marne is Associate Professor at Université catholique de l’Ouest (Angers, France). Her work focuses on Latin lyric poetry in the Middle Ages, the relationship between music and preaching, and more broadly on musical manuscripts and performance practice.

IntroductionMary Channen Caldwell and Anne-Zoé Rillon-MarneLatin Song as Spiritual PracticeWhat Did It Mean to Say ‘I Heard’?: Sound, Metaphor, and Medieval Mystical SongAndrew AlbinBodies in Pain, Gendered Excess, and the Lamenting Mary in Planctus ante nesciaRachel M. GoldenBlood and Wine: Singing Duality at the Beauvais CathedralDongmyung AhnHeritages of Latin SongNew Models for the Old SongSam BarrettAetas Aurea: The Parisian Conductus and the Legacy of Classical AntiquityMark EveristLatin Literature and Quotations in French Fourteenth-Century MotetsKévin RogerInscribing Communities through Latin SongTextual and Contextual Networks in London, British Library, Arundel MS 248: A Case Study of Two Latin SongsSarah OliverModels for Monastic Identity in Fourteenth-Century English MotetsLisa ColtonConvincing Performances: Rhetorical Delivery in Conducti of F-Pnm Lat. 15139Melanie ShafferThe Mobility of Latin SongRitual Archaeology of a Song-Form Trope for Christmas: Reworkings of Cum gaudio concurriteAlessandra IgnestiLatin Song in Unusual PlacesCharles E. BrewerInsider Trading: Syllabic and Melismatic Identity in the “Notre Dame” ConductusThomas B. PayneEpilogue: Words for Singing: The Medieval Latin LyricPascale BourgainBibliography