Dr Ron Moy is Lecturer in the School of Media, Critical and Creative Arts, at Liverpool John Moores University, UK.

• Contents: Introduction. Part 1 Her Early Work: The Kick Inside; Lionheart; Never for Ever; The Dreaming. Part 2 Hounds of Love: Commercial context and critical reception of Hounds of Love; The conceptual work; Ideas and influences; Hounds of Love; A daughter of Albion?: Kate Bush and mythologies of Englishness; Genealogy; Creative influences; Accent and 'the grain of the voice'; Language and register; Style indicators; Kate Bush and auteur theory; From ingénue to auteur; Shades and degrees of authorship; Audio texts, video texts; extensions or detractions?; The society of the specular; Pop video; history and developments; An overview of Kate Bush's early videos; Hair of the Hound; The Sensual World: the video; The Line, the Cross and the Curve. Part 3 Her Later Work: The Whole Story; The period leading up to The Sensual World; The Sensual World; This Woman's Work; The period leading up to The Red Shoes; The Red Shoes; The period leading up to Aerial; Aerial: A Sea of Honey; A Sky of Honey; Coda: we become panoramic; Bibliography; Index.

'This is one of the few serious studies of Kate Bush, a hugely successful and influential British female pop artist. By focussing on Bush’s albums released between 1978 and 2005, and paying close attention to the 1985 album, Hounds of Love, Ron Moy presents a fascinating account of this artist’s achievements. Exploring the complex interactions of songs, video texts, mythologies of national identity, and authenticity, he executes an interdisciplinary approach that will undoubtedly be of use to a wide range of scholars within the field of popular music studies.' Stan Hawkins, University of Oslo ’Moy [...] provides enlightening critical discussions of authorship, creative process and performance... It will be well received by students and researchers across several disciplines, and will no doubt provoke further discussion within musicology.’ Popular Music

Dr Ron Moy is Lecturer in the School of Media, Critical and Creative Arts, at Liverpool John Moores University, UK.

• Contents: Introduction. Part 1 Her Early Work: The Kick Inside; Lionheart; Never for Ever; The Dreaming. Part 2 Hounds of Love: Commercial context and critical reception of Hounds of Love; The conceptual work; Ideas and influences; Hounds of Love; A daughter of Albion?: Kate Bush and mythologies of Englishness; Genealogy; Creative influences; Accent and 'the grain of the voice'; Language and register; Style indicators; Kate Bush and auteur theory; From ingénue to auteur; Shades and degrees of authorship; Audio texts, video texts; extensions or detractions?; The society of the specular; Pop video; history and developments; An overview of Kate Bush's early videos; Hair of the Hound; The Sensual World: the video; The Line, the Cross and the Curve. Part 3 Her Later Work: The Whole Story; The period leading up to The Sensual World; The Sensual World; This Woman's Work; The period leading up to The Red Shoes; The Red Shoes; The period leading up to Aerial; Aerial: A Sea of Honey; A Sky of Honey; Coda: we become panoramic; Bibliography; Index.

'This is one of the few serious studies of Kate Bush, a hugely successful and influential British female pop artist. By focussing on Bush’s albums released between 1978 and 2005, and paying close attention to the 1985 album, Hounds of Love, Ron Moy presents a fascinating account of this artist’s achievements. Exploring the complex interactions of songs, video texts, mythologies of national identity, and authenticity, he executes an interdisciplinary approach that will undoubtedly be of use to a wide range of scholars within the field of popular music studies.' Stan Hawkins, University of Oslo ’Moy [...] provides enlightening critical discussions of authorship, creative process and performance... It will be well received by students and researchers across several disciplines, and will no doubt provoke further discussion within musicology.’ Popular Music

Dr Ron Moy is Lecturer in the School of Media, Critical and Creative Arts, at Liverpool John Moores University, UK.

• Contents: Introduction. Part 1 Her Early Work: The Kick Inside; Lionheart; Never for Ever; The Dreaming. Part 2 Hounds of Love: Commercial context and critical reception of Hounds of Love; The conceptual work; Ideas and influences; Hounds of Love; A daughter of Albion?: Kate Bush and mythologies of Englishness; Genealogy; Creative influences; Accent and 'the grain of the voice'; Language and register; Style indicators; Kate Bush and auteur theory; From ingénue to auteur; Shades and degrees of authorship; Audio texts, video texts; extensions or detractions?; The society of the specular; Pop video; history and developments; An overview of Kate Bush's early videos; Hair of the Hound; The Sensual World: the video; The Line, the Cross and the Curve. Part 3 Her Later Work: The Whole Story; The period leading up to The Sensual World; The Sensual World; This Woman's Work; The period leading up to The Red Shoes; The Red Shoes; The period leading up to Aerial; Aerial: A Sea of Honey; A Sky of Honey; Coda: we become panoramic; Bibliography; Index.

'This is one of the few serious studies of Kate Bush, a hugely successful and influential British female pop artist. By focussing on Bush’s albums released between 1978 and 2005, and paying close attention to the 1985 album, Hounds of Love, Ron Moy presents a fascinating account of this artist’s achievements. Exploring the complex interactions of songs, video texts, mythologies of national identity, and authenticity, he executes an interdisciplinary approach that will undoubtedly be of use to a wide range of scholars within the field of popular music studies.' Stan Hawkins, University of Oslo ’Moy [...] provides enlightening critical discussions of authorship, creative process and performance... It will be well received by students and researchers across several disciplines, and will no doubt provoke further discussion within musicology.’ Popular Music