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A comprehensive examination of Kristeva's work from the seventies to the nineties.Honorable Mention, 2006 Goethe Award for Psychoanalytic Scholarship presented by the Section on Psychoanalysis of the Canadian Psychological Association This is the first systematic overview of Julia Kristeva's vision and work in relation to philosophical modernity. It provides a clear, comprehensive, and interdisciplinary analysis of her thought on psychoanalysis, art, ethics, politics, and feminism in the secular aftermath of religion. Sara Beardsworth shows that Kristeva's multiple perspectives explore the powers and limits of different discourses as responses to the historical failures of Western cultures, failures that are undergone and disclosed in psychoanalysis.
Sara Beardsworth is Assistant Professor of Philosophy at Southern Illinois University.
Acknowledgments Introduction Suffering: A Piece of the Reality that has Come to grief The Tendential Severance of the Semiotic and Symbolic Part I. From the Revolutionary Standpoint to the Nihilism Problematic 1. The Early View of Psychoanalysis and Art IntroductionThe Lacanian Background Revolution in Poetic Language 2. Primary Narcissism The Appearance of the Nihilism Problematic Primary Idealization 3. Ab-jection IntroductionThe Phobic Object"Where Am I?" 4. Primal Loss Introduction Intolerance for Loss The Signifying Failure Part II. Art and Religion: Kristeva's Minor Histories of Modernity 5. The Powers and Limitations of Religion Introduction Psychoanalysis and the Sacred Religious Codifications of Abjection 6. The Kristevan Aesthetic Introduction Holbein: "God is dead" Duras: A New Suffering World A New Amatory World Part III. The Social and Political Implications of Kristeva's Thought 7. Ethics and Politics Introduction The Ethics of Psychoanalysis Nations Without Nationalism 8. Kristeva's Feminism Introduction "Woman" and "Nature" Kristeva or Butler? The Maternal Feminine Conclusion: Revolt Culture and Exemplary Lives Notes Bibliography Index