"In this revelatory book, Samuel J. Spinner uncovers the paradoxical primitivist yearnings motivating a generation of Jewish visual artists and writers in Yiddish, German, and Hebrew. What happens when Jewish artists and writers see other Jews as the 'savage' other, as though Picasso's African masks had been carved by his own cousins?"—Gabriella Safran, Stanford University "Jewish Primitivism demonstrates that we cannot understand modern Jewish literature without looking at visual culture. In Samuel J. Spinner's engaging account, looking becomes both a methodological intervention and a narrative focal point. Rejecting parochial analysis, he shows that Jewish primitivism encompasses myriad versions of Jewish modernism and enables a rich analysis of its significance."—Na'ama Rokem, University of Chicago "Jewish Primitivism makes a compelling and truly fresh argument for placing the phenomenon of modernist primitivism practiced by Jewish writers and artists at the center of our attempts to understand the paradoxical position of Jews and Jewish art in 20th-century Europe, and consequently the crises of nation and nationalism—for Jews and non-Jews—that underwrite the upheavals and cataclysms of the period."—Madeleine Cohen, Los Angeles Review of Books "One of the many strengths of Jewish Primitivism is that it raises a diverse set of considerations. Spinner's illuminating study is essential reading for those interested in modernist primitivism, in Yiddish and German Jewish literatures, in the encounter of German Jews with east European Jews, and in Jewish modernism in general."—Ido Ben Harush, H-Judaic "This work is provocative in a good way.... [Jewish Primitivism] includes important discussions of sexism in the Jewish primitivism movement and of how the artists—both Jews and non-Jews—engaged with Orientalism. Recommended."—R. Shapiro, CHOICE "Spinner offers a very compelling—and often moving—account of this aesthetic mode, a study whose value the extensiveness of this review is meant to convey."—Jeffrey A. Grossman, In Geveb "Samuel Spinner's lucidly written new book,Jewish Primitivism, is an exciting new addition to a growing body of scholarship that has aimed to deprovincialize Eastern European Jewish literature through the lens of European literary modernism."—Allison Schacther, Hebrew Studies "Boldly taking on a loaded and fraught category of cultural and literary analysis, Samuel J. Spinner's Jewish Primitivism offers an entirely new model of conducting multilingual comparative analysis.Spinner opens multiple meanings of primitivism: it formed and informed elitist and classist distinctions of the civilized and the uncivilized and found extension in institutions, practices, ideologies of orientalism, and conceptual correlates of exoticism. Spinner also reinvigorates critical scrutiny of primitivism as a concept to tell a hitherto untold story of Jewish modernism, within and beyond the fault lines and permutations of the trilingualism of Hebrew, Yiddish, and German. He undoes and reassembles the central underpinnings of Jewish identities through language, literature, and lived culture. Jewish Primitivism is a model of print cultural studies that acknowledges the coexistence of the written and spoken, of print and oral, of classic and folk."—selection committee for the Aldo and Jeanne Scaglione Prize for Studies in the Germanic Languages and Literatures "Jewish Primitivism is a major and original intervention. The phenomenon of Jewish primitivism has been neglected by scholars of primitivism and of Jewish literature alike, and Spinner's unearthing of it is exhilarating and comes as something of a revelation. The book brims with insights to which a short review simply cannot do justice."—Sven-Erik Rose, Monatshefte
