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Deaf Walls Speak presents an insider’s view of artmaking in Guantánamo, the world’s most notorious prison, as self-expression and protest, and to stage a fundamental human rights claim that has been denied by law and politics: the right to be recognized as human.
Alexandra S. Moore is Professor of English and Co-Director of the Human Rights Institute at Binghamton University. Elizabeth Swanson is Professor of Literature and Human Rights at Babson College.
Editor’s Introduction The Guantánamo Artwork of Moath al-Alwi: Art as Expression, Witness, Evidence Alexandra S. Moore and Elizabeth Swanson.- Chapter 1: Artmaking at Guantánamo: A Ship Expresses Rescue Moath al-Alwi.- Chapter 2: My Brother, the Artist Mansoor Adayfi.- Chapter 3: APPROVED BY U.S. FORCES: Showing Art from Guantánamo Erin L. Thompson.- Chapter 4: From Wasting Away to a Way with Waste: The Visibility of Moath al-Alwi's Hunger and Sculpture Joshua O. Reno.- Chapter 5: Ships of Scraps: Moath al-Alwi’s Model Ships in Islamic Art and Prison Histories Mira Rai Waits.- Chapter 6: Guantánamo Bay Ensigns: Material Rhetorics and Moath al-Alwi’s Ships Belinda Walzer.- Chapter 7: A Sea without a Shore: Building an Alternative Visual Archive of Guantánamo Bay Safiyah Rochelle.- Chapter 8: Assemblage by Necessity: The Maritime Sculpture of Moathal-Alwi Gail Rothschild.