Greek Art in Motion: Studies in honour of Sir John Boardman on the occasion of his 90th Birthday

RUI MORAIS was born in Porto in 1969 and has a degree in History, variant of Archaeology from the University of Coimbra. He has a Masters in Urban Archaeology, PhD in Archaeology, Technology and Materials from University of Minho. He was Professor at Minho University and is currently an Assistant Professor with Aggregation at the Faculty of Arts, Oporto University. Among his research, he has dedicated special attention to the study of trade in antiquity, with numerous published works, individually or with other national and foreign authors. He is researcher in the Classical and Humanistic Centre at Coimbra University (CECH). He was a consultant of the Calouste Gulbenkian Foundation for antiques. He is a member of the Scientific Committee of the IBERIA GRAEGA Project. | DELFIM LEÃO is a Professor at the Institute of Classical Studies and a researcher at the Center for Classical and Humanistic Studies, University of Coimbra. His main areas of interest are ancient history, law and political theory of the Greeks, theatrical pragmatics, and the ancient novel. He also has a strong interest in digital humanities. Among his main recent works are D. F. Leão and P. J. Rhodes, ‘The Laws of Solon. A new Edition, with Introduction, Translation and Commentary’ (London, I. B. Tauris, 2015), and a second revised edition in 2016; D. F. Leão and G. Thür (Hrsg.) ‘Symposion 2015. Vorträge zur griechischen und hellenistischen Rechtsgeschichte’ (Wien, Verlag der Österreichischen Akademie der Wissenschaften, 2016). Along with Lautaro Roig Lanzillotta, he is the editor of Brill’s ‘Plutarch Studies’. | DIANA RODRÍGUEZ PÉREZ is a Junior Research Fellow at Mougins Museum in Classical Art and Material Culture at Wolfson College, University of Oxford, and was previously the Research Assistant for the Beazley Archive Pottery Database at the Classical Art Research Centre. Before moving to Oxford, she held a postdoctoral fellowship at the University of Edinburgh (FECYT). She received a PhD (Doctor Europaea) from the University of León, Spain (The Snake in the Ancient Greek World: Myth, Rite and Image), an MPhil in History of Art from the University of León, and an MPhil in Archaeology and Heritage from the Universidad Autónoma de Madrid. From 2010 to 2011 she worked as a translator at the European Parliament in Luxemburg, and was a DAAD Fellow at the Institut für klassische Archäologie of the University of Heidelberg from 2008 to 2009. In the summer of 2017 she was Tytus Scholar at the Department of Classical Studies of the University of Cincinnati (US). | DANIELA FERREIRA is currently a PhD student at the Department of Prehistory, Ancient History and Archeology of Complutense University of Madrid, Spain, and a researcher at UI&D CITCEM - Transdisciplinary Research Centre «Culture, Space and Memory», Portugal. She is also a recipient of a FCT (Portuguese national funding agency for science, research and technology) grant since 2015. Daniela holds a Master’s degree in Archaeology from the University of Oporto (Portugal), with a focus on Latin epigraphy and religious practices in the Iron Age.

• Preface; John Boardman and Greek Sculpture – by Olga Palagia; Sanctuaries and the Hellenistic polis: an architectural approach – by Milena Melfi; ‘Even the fragments, however, merit scrutiny’ ancient terracottas in the field and the museum – by Lucilla Burn; The Good, the Bad, and the Misleading. A Network of Names on (mainly) Athenian Vases. – by Thomas Mannack; Studying gems: Collectors and Scholars – by Claudia Wagner; Buildings and History – by P. J. Rhodes; John Boardman at 90: ‘New’ Archaeology or ‘Old’? Confessions of A Crypto-Archaeologist – by Paul Cartledge; Some Recent Developments in the Study of Greeks Overseas – by Gocha R. Tsetskhladze; Sculpture; Godlike Images. Priestesses in Greek Sculpture – by Iphigeneia Leventi; The nude Constantinople. Masterpieces of Greek sculpture at Byzantium according to the Greek Anthology – by Carlos A. Martins de Jesus; Ornaments or amulets: a peculiar jewel on dedicatory statues – by Olympia Bobou; Architecture; Greek Emporios in Chios. The Archaeological Data from the Excavations of the Last Decades – by Kokona Roungou and Eleni Vouligea; Temples with a Double Cella. New Thoughts on a Little-Known Type of Temple – by Ugo Fusco; Terracotas and Metal; Images of Dionysos, Images for Dionysos: The God’s Terracottas at Cycladic Sanctuaries – by Erica Angliker; An Unusual Sympotic Scene on a Silver Cup from Ancient Thrace: Questions of Iconography and Manufacture – by Amalia Avramidou; Forgeries in a museum: a new approach to ancient Greek pottery – by Claudina Romero Mayorga; Beyond trade: the presence of Archaic and Classical Greek Bronze Vessels in the Northern Black Sea area – by Chiara Tarditi; Greek Pottery; Makron’s Eleusinian Mysteries: Vase-Painting, Myth, and Dress in Late Archaic Greece – by Anthony Mangieri; Timagoras: an Athenian Potter to be Rediscovered – by Christine Walter; Revisiting a Plate in the Ashmolean Museum: A new interpretation – by Marianne Bergeron; The Greek pottery of the Tagus estuary – by Ana Margarida Arruda and Elisa de Sousa; Vases on Vases. An Overview of Approaches – by Konstantina Tsonaka; Intriguing Objects of Desire: Collecting Greek Vases, a Short History Unfolded – by Daniela Freitas Ferreira; Youth in an enclosed context: new notes on the Attic pottery from the Iberian Tútugi necropolis (Granada, Galera) – by Carmen Rueda and Ricardo Olmos; An overview of Brazilian Studies on Greek Pottery: tradition and future perspectives – by Carolina Kesser Barcellos Dias and Camila Diogo de Souza; Coins; Sculptures and coins. A contextual case study from Side – by Alice Landskron; The romanitas of Mark Antony’s eastern coins – by João Paulo Simões Valério; War and Numismatics in Greek Sicily: Two sides of the same coin – by José Miguel Puebla Morón; Iconography of Poseidon in the Greek coin – by María Rodríguez López; The Silver Akragatine Tetradrachms with quadriga: A New Catalogue – by Viviana Lo Monaco; Gems and Glass; Why was Actaeon punished? Reading and seeing the evolution of a myth – by José Malheiro Magalhães; Greek Myth on Magical Gems: Survivals and Revivals – by Paolo Vitellozzi; From routine to reconstruction – by Susan Walker; Greek History and Archaeology; The Database of the Iberia Graeca Centre – by Xavier Aquilué, Paloma Cabrera and Pol Carreras; The Greeks overseas: a bioarchaeological approach – by Tasos Zisis and Christina Papageorgopoulou; The Messenian island of Prote and its relation to navigation in Greece and the Mediterranean – by Stamatis A. Fritzilas; Naukratis - Yet Again – by Astrid Möller; The Tomb of the Roaring Lions at Veii: Its Relation to Greek Geometric and Early Orientalizing Art – by Gabriele Koiner; Perserschutt in Eretria? Pottery from a pit in the Agora – by Tamara Saggini; Greeks Overseas; A Bridge to Overseas. Insight into the geomorphology, harbourworks and harbour layouts of the Archaic and Classical Greek harbours – by Chiara Maria Mauro; Gandharan Odalisque: Mounted Nereids on Gandharan Stone Palettes – by SeungJung Kim; The Attic Pottery from the Persephoneion of Locri Epizefiri between Ritual Practices and Worship – by Elvia Giudice and Giada Giudice; Was Knossos a home for Phoenician traders? – by Judith Muñoz Sogas; Greek Divine Cures Overseas: Italian Realisations of the Greek Paradigm – by Lidia Ożarowska; Reception and Collecting; Wine and blood? Dionysus, Other Gods and Heroes in a Catholic Chapel of Britiande (Lamego, Portugal) – by Nuno Resende; Pavlovsk Imperial villa and its collections: from the first stage of antiquities collecting and archaeology in Russia – by Anastasia Bukina and Anna Petrakova; Art and Myth; Greek Myths Abroad. A Comparative, Iconographic Study of Their Funerary Uses in Ancient Italy – by Valeria Riedemann Lorca; Orphica non grata? Underworld Palace Scenes on Apulian Red-Figure Pottery Revisited – by Karolina Sekita; Geryon in Tatarli – by Malcolm Davies; New Identifications of Heroes and Heroines on the West Pediment of the Parthenon: The Case of P, Q, and R – by Ioannis Mitsios; A new Sicilian curse corpus: blueprint for a geographical - chronological analysis of defixiones from Sicily – by Thea Sommerschield; Once again: A sacrificing goddess. Demeter - what´s up with her attribute? – by Maria Christidis and Heinrike Dourdoumas; Greek Divine Cures Overseas: Italian Realisations of the Greek Paradigm – by Lidia Ożarowska