Del 21 i serien Languages of the Greater Himalayan Region

Grammar of Purik Tibetan

Inbunden, Engelska, 2018

5 399 kr

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In A Grammar of Purik Tibetan, Marius Zemp offers a comprehensive description of the phonologically archaic Tibetan variety spoken in Kargil, the capital of a region called Purik, situated in the state of Jammu & Kashmir, India. This book contains the most thorough and insightful description of the verbal system of a Tibetic language yet written and will be particularly relevant for scholars studying evidentiality. It also includes highly valuable discussions of a syntactically and pragmatically well-defined class of ideophones which Zemp calls “dramatizers” and of prosody – topics which are too often neglected in language descriptions. Finally, this book goes beyond what others have done in that Purik data are used to elucidate our understanding of Classical Tibetan and its origins.

Produktinformation

Utgivningsdatum2018-06-01
Mått155 x 235 x 63 mm
Vikt1 680 g
FormatInbunden
SpråkEngelska
SerieLanguages of the Greater Himalayan Region
Antal sidor964
FörlagBrill
ISBN9789004365483

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ContentsAcknowledgmentsList of TablesList of FiguresList of Abbreviations1 Introduction1.1 Purik1.2 South and East Purik1.3 Language Contact1.4 Genetic Affiliation1.5 Previous Research1.6 Data1.7 A Note on Pragmatics1.8 The Method of Functional Reconstruction1.9 Outline2 Phonology2.1 Synchronic Phonology2.2 Diachronic Phonology3 Noun Phrases3.1 Derivation3.2 Definiteness and Number3.3 Demonstratives, Personal, Interrogative and Other Pronouns3.4 Case3.5 Discourse-structuring Morphemes4 Sentences4.1 Verbal Stems4.2 Infinite Verbal Forms4.3 Light Verbs4.4 Copulas and Finite Clauses4.5 Other Clause-Final Morphemes5 Modification, Intensification, and Dramatization of Sentences5.1 Adverbs5.2 The Intensifier mana5.3 Dramatizers5.4 tʃoq ‘(at that) moment’6 Clause Linkage6.1 Clause-linking -na6.2 Subordinate Clauses without -na6.3 Noun-Modifying Clauses6.4 Other Content-attributing Strategies7 Prosody7.1 Declination7.2 Focus7.3 Final Rise (or Suspension)7.4 Antitopics7.5 Dramatizing Prosody7.6 Final Lengthening7.7 Pitch Contours Tied to Pragmatic MorphemesAppendicesAppendix A: A Story of Three BrothersAppendix B.1: Reduplicated and Assonant FormationsAppendix B.2: Basic VocabularyReferences