Fregean Realism

Frodo Lives! and Other Fictions

Inbunden, Engelska, 2024

1 549 kr

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Fregean Realism: Frodo Lives! and Other Fictions argues that literary fictions, pictures, and other artworks are modes of access to Gottlob Frege’s “third realm” of objective thoughts, about both what is in the real world and what is not, but might, or might not, be. Starting with a critique of fictionalism—the doctrine that art makes no ontological commitments because it depends on acts of pretending—Andrei Pop shifts focus to the shared meaning addressed by acts of pretending and other audience reactions to works of art. This book shows that a Fregean theory of sense, assertion, and concepts does justice to the context-specificity of artistic meaning while allowing for durable—indeed eternal—conceptual content. It explores implications for venerable problems such as the truth of art, the reality of aesthetic properties, beauty and ugliness, but also for specific genres or modes, like sculpture, allegory, the relation between image and caption, and the first-person picture.

Produktinformation

Utgivningsdatum2024-12-15
Mått152 x 229 x 18 mm
Vikt526 g
FormatInbunden
SpråkEngelska
Antal sidor254
FörlagBloomsbury Publishing Plc
ISBN9781666956504

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Konsthistoria inom Kultur
Konstböcker inom Kultur
Filosofiska discipliner inom Filosofi och religion

AcknowledgmentsIntroduction: Frodo Lives!Chapter 1: What Fiction Could Not BeChapter 2: From Make-Believe to RealismChapter 3: Frege’s Theory of PicturesChapter 4: Art and TruthsChapter 5: Allegory and its DiscontentsChapter 6: Sculpture as Cubic FormChapter 7: Bolzano on the Objectivity of Ugliness (and Beauty)Chapter 8: Aesthetic Properties: From the Sublime to the RidiculousChapter 9: Goya and the Paradox of ToleranceChapter 10: On First Person Perspective(s)Conclusion: Flower Arranging in the Library of BabelBibliographyNotesAbout the Author

“Andrei Pop’s Fregean Realism is an innovative application of Frege’s accounts of sense, reference, and assertion to pictorial meaning, providing a perspective from which it is possible to appreciate overlooked points of connection between rival accounts of the experience of depiction. Pop brings his Platonist realism to bear on a wide range of issues central to art and its history: the nature of allegory, of symbolism, of sculptural form, of aesthetic properties, and of pictorial truth and knowledge. The joint attention paid to demanding texts in the history of early analytic philosophy and European art history is both enlivening and revealing.”