Fifteen Colonial Thefts

Sela K. Adjei is a multidisciplinary artist with degrees in Communication Design, and African Art and Culture from the Kwame Nkrumah University of Science and Technology (KNUST), Kumasi, Ghana. He received his PhD in African Studies from the University of Ghana, Legon. He is a lecturer at the University of Media, Arts and Communication (NAFTI).Yann LeGall is a postdoctoral researcher on the project 'The Restitution of Knowledge: Artefacts as Archives in the (Post)Colonial Museum' at the Institute for Art History of the Technical University in Berlin. He was previously a fellow at the Research Training Group Minor Cosmopolitanisms at the University of Potsdam. As a member of the initiatives Berlin Postkolonial and Postcolonial Potsdam, he leads guided tours for university seminars and conferences in both cities and developed a digital audio guide on traces of colonial history in Potsdam.Peju Layiwola is an art historian and visual artist from Nigeria. She is Professor of Art and Art History at the University of Lagos. Her works can be found in Yemisi Shyllon Museum, Lagos, and in the homes of many private collectors. Her maternal grandfather was Oba Akenzua II, King of Benin, who reigned from 1933 until 1978. Layiwola has led public advocacy for the return of art works stolen from Benin during the Punitive Expedition of 1897.

• Foreword by Peju LayiwolaIntroduction: Fifteen in a Thousand: How to Tell the History of Colonial Conquest, Anti-Colonial Resistance, and Looted African Heritage by Sela K. Adjei and Yann LeGallPart I: The Battlefield1. The Treasure of Samori Touré - by Felwine Sarr & Bénédicte Savoy2. The Manifesto of the Sudanese Mahdī: Banners as Artefacts of Empire - by Fergus Nicoll & Osman Nusairi3. Conversation: IsiHlangu from the Anglo-Zulu War of 1879: 'We need to infuse African-ness in museum' - by Mwelela Cele & Yann LeGall4. The Plunder from 'Adibo Dali', and Why Looted Cultural Goods Need to Return to Dagbon - by Alhaji Sulemana Alhassan Iddi, Elias Aguigah, Marlena Barnstorf-Brandes, Michael A. Gyimah, Jan König & Ricarda Rivoir5. A War Coat of the Anufo/Tchokossi: From Northern Togo to the Field Museum in Chicago -by Julia Kennedy, Foreman Bandama, Christopher J. Philipp, and Kokou AzamedePart II: The Royal Palace6. Hiding and Returning Asante Regalia (1970–2024): The Journey of an Ancestral Messenger - by Nii Kwate Owoo7. A Plaque from an Ngolo etana: The Looting of Architectural Heritage as a Token of Colonial Violence - by Richard Tsogang Fossi & Jeanne-Ange Wagne8. Conversation: Subverting Firepower: A German Cartridge Upcycled as Snuffbox, a Symbol of Chagga Resistance - by Konradin Kunze, Sarita Lydia Mamseri, Gabriel Mzei Orio & Mnyaka Sururu Mboro9. In Defence of Theft? On the Theft and Restitution of Ngonsso' and Punitive Exhibitions - by Godfrey B. Tangwa and Fogha MC Cornilius Refem, alias Wan wo Layir10. The Long Journey of the bocio of Three Danxomè Kings - by Didier Houénoudé & Gaëlle BeaujeanPart III: The Sacred 10. The Tabots from Maqdala - by Emanuel Admassu & Eyob Derillo11. Nkisi nkonde of Chief Ne Kuko of Boma: The Tragic Spoliation of an Object of Power - by Placide Mumbembele Sanger12. Conversation: The Ngadji of the Pokomo: On Revolutionary Responses, Release and Relationships - by Njoki Ngumi & Adé lá Naomi Adérè mí13. Where are Mbuya Nehanda's Remains? A Zimbabwean Search in the Context of Shifting Museum Politics - by Njabulo Chipangura, Farai Chabata & Lennon Mhishi 14. Byéri: Ancestor Guardian Figures of the Kwasio people in Southern Cameroon - by Yrine Matchinda & Sebastian-Manès SpruteAbbreviationsAppendix: List of Museums and Collections

'An eloquent and powerful book! The editors, Sela K. Adjei and Yann LeGall, have brought together an invaluable collection of forgotten histories around fifteen colonial thefts. The authors show with rigour and depth that colonial conquest was not only about erasing, expropriating, dispossessing, extracting, exploiting, but also looting and trafficking. They make the case for unconditional restitutions and returns.'