Feminist Theory and the Aesthetics Within

Anu Aneja is currently Director of the Women and Gender Studies program at George Mason University, USA. She has research interests in the areas of transnational feminist theory and aesthetics, particularly their inventive crossings across South Asia and the West. Other areas of interest include contemporary French, francophone and Indian literatures, feminist perspectives on mothering, and feminist pedagogy. She is the co-author (with Shubhangi Vaidya) of Embodying Motherhood: Perspectives from Contemporary India (2016). Her edited collections include a comprehensive anthology, Women’s and Gender Studies in India: Crossings (2019), which maps the contemporary contours of the field, and an edited volume on Gender & Distance Education: Indian and International Contexts (2019). She has also published a Hindustani translation of Hélène Cixous’s French play L’Indiade our l’Inde de leurs rêves. Her research articles have appeared in peer-reviewed journals and edited anthologies. Aneja currently serves as Area Advisor of ‘Gender and Education’ for the digital edition of Oxford Bibliographies and on the Editorial Board of the Gender and Education journal. She has previously taught in the School of Gender and Development Studies, Indira Gandhi National Open University, and at the Ohio Wesleyan University, where she was the recipient of the Rebecca Brown Professor of Literature award. She received her doctorate in Comparative Literature from Penn State University and a Bachelor’s in French from Jawaharlal Nehru University.

• Introduction 1. Feminist Theory and the Aesthetic Re-Turn 2. Sculpting Gender and Sexuality by the Indus 3. Rasa: In Dialogue with Feminist Aesthetics 4. The Errant Feminine of Bhakti and Sufi Aesthetics 5. “Speaking with Women”: The Promise of the Pre-Modern Urdu Ghazal 6. Traveling with the Ghazal: A Transnational Feminist Aesthetic 7. Turning Back Towards the Future: Feminist Conversations with South Asian Art

"This is an intellectually stimulating and theoretically sophisticated book generating new directions in feminist analysis and in the field of Women and Gender Studies. It is an amalgamation of aesthetic theory with more recent transdisciplinary approaches from Women and Gender Studies to explore and reimagine feminist aesthetics and gender binaries through diverse art forms including clay sculpture from the Indus valley, rasa theory, and the ‘rekhta’ ghazal. Theoretically rich and complex, the book promises to be an important document in the way it connects diverse and seemingly disparate fields. Its marshalling of arguments shows a vast range of reading, a sure grasp of diverse disciplines and the ability and articulation to bring it all together to develop a coherent and convincing narrative."Meenakshi Malhotra, Associate Professor of English, Hansraj College, University of Delhi; Editorial Board Member, Borderless; Member of Department Research Committee of School of Gender and Development Studies, Indira Gandhi National Open University; and Member of Board of Studies for English, SRM University, Sonepat, India