Extra/Ordinary

Maria Elena Buszek is a critic, curator, and Associate Professor of Art History at the University of Colorado, Denver. She is the author of the book Pin-Up Grrrls: Feminism, Sexuality, Popular Culture, also published by Duke University Press. She has written for magazines and journals including BUST, Art in America, Photography Quarterly, and TDR: The Journal of Performance Studies.

• List of Illustrations viiAcknowledgments xiIntroduction: The Ordinary Made Extra/Ordinary / Mary Elena Buszek 1Redefining Craft: New Theory Making and Naming: The Lexicon of Studio Craft / M. Anna Fariello 23Validity Is in the Eye of the Beholder: Mapping Craft Communities of Practice / Dennis Stevens 43Super-Objects: Craft as an Aesthetic Position / Louise Mazanti 59Fabrication and Encounter: When Content is a Verb / Paula Owen 83Craft Show: In the Realm of "Fine Arts" How the Ordinary Becomes Extraordinary: The Modern Eye and the Quilt as Art Form / Karin E. Peterson 99Wallpaper, the Decorative, and Contemporary Installation Art / Elissa Auther 115Handwork and Hybrids: Recasting the Craft of Letterpress Printing / Betty Bright 135Elastic/Expanding: Contemporary Conceptual Ceramics / Jo Dahn 153Craftivism Craftivist History / Betsy Greer 175Rebellious Doilies and Subversive Stitches: Writing a Craftivist History / Kirsty Robertson 184Craft Hard Die Free: Radical Curatorial Strategies for Craftivism / Anthea Black and Nicole Burisch 204Loving Attention: An Outburst of Craft in Contemporary Art / Janis Jefferies 222New Functions, New Frontiers Put Your Thing Down, Flip It, Reverse It: Reimagining Craft Identities Using Tactics of Queer Theory / Lacey Jane Roberts 243Men Who Make: The "Flow" of the Amateur Designer/Maker / Andrew Jackson 260Crochet and the Cosmos: An Interview with Margaret Wertheim / Maria Elena Buszek 276Contributors 291Index 295

“Extra/Ordinary is not only the best anthology of recent writing on craft out there, it also delivers several assessments of the Do-It-Yourself movement, which is sorely in need of critical interpretation.”-Glenn Adamson, Victoria and Albert Museum “Maria Elena Buszek has compiled an anthology that matches the dynamism of a field in flux. As a museum curator responsible for developing exhibitions that examine contemporary craft, I actively seek tools that provide context for craft from within, across, and outside this arena’s historic borders. The essays compiled here provide access to diverse voices and approaches, filling a current void in scholarship and engaging craft from a range of perspectives and places in a shifting culturescape. Buszek’s anthology moves across discursive platforms to share fresh ways of thinking about craft in relationship to gender, domesticity, feminism, activism, and science. Here, ordinary craft is the focus of productive criticism rather than denied, broadening the frameworks for how we connect craft to meaning today.”-Namita Gupta Wiggers, Museum of Contemporary Craft “Maria Elena Buszek’s volume critically unravels assumptions about craft and pieces together new theories about contemporary handmaking that are at once vibrant, textured, and necessarily scrappy.”-Julia Bryan-Wilson, University of California, Irvine “Extra/Ordinary begins to establish, with refreshing honesty, this thing that has become Craftivism. Time will tell if it sticks.” - Jessica Hemmings (Surface Design Journal) “[A] smart, sassy collection of essays . . . bound to be a new classic for both academics and craft artists.” - Antonia Blair (Bust) “[A] stellar collection of interdisciplinary essayists. . . . [T]his collection features full color illustrations, figures and photographs which not only clarify the processes and products referenced in the accompanying articles but also makes the book a joy to read, enhancing as it does the visual performance of the text itself. The inclusion of the full-color documentation of artistic process as well as the art objects produced therefore honors the main premise of the text: that craft can and should be understood as a liminal form of culturally performative fine art.” - Kristen Williams (Liminalities) “[A] timely response to contemporary art’s interest in craft, challenging the perception that artists choose media or their work with the mere wanton abandon of a child in front of a pick’n’mix counter. Instead, its various authors explore the complexity of art’s interaction with craft, making subtle note of those covering this terrain before.” - Stephen Knott (Crafts) “Finally, a reason to put down the knitting needles. . . . Like a quiltmaker, Buszek has assembled a fine array of writers and topics. . . .” - Anastasia Masurat (Bitch) “This volume fills a void in the scholarship that examines the meaning and the diverse roles that craft plays in the discourse surrounding contemporary art and social, political and popular culture bringing together the voices of artists, curators, cultural thinkers and scholars. Together these authors have opened the dialogue allowing craft to have its own voice and its own meaning, no longer defined by or against fine art.” - Angela Brayham (Visual Studies)