European Avant-Garde – A Hundred Years Later

Polona Tratnik, Ph.D. (1976), is Full Professsor at the University of Ljubljana and Senior Researcher at the Institute IRRIS. She has published monographs and articles on philosophy of art and technology, including Art as Capital: The Intersection of Science, Technology and the Arts (Rowman and Littlefield, 2021).

• List of Figures and TablesNotes on ContributorsIntroduction: the Turning and Returning of the Avant-GardePolona TratnikPART 1: The Avant-Garde Is Back1 Revolution Reconsidered: the Three Avant-Garde TraditionsSascha Bru2 Anaphorizing Histories: on the Entanglements of Paleo-, Neo-, and Tardo-Avant-GardesTyrus Miller3 A Quest for Avant-Garde: Doing Avant-Garde, Inheriting Avant-GardePolona TratnikPART 2: Avant-Garde and Geo-Politics4 European Avant-Gardes between International and GlobalMiško Šuvakovic5 Trieste–Ljubljana–Zagreb–Belgrade–Cernigoj–Delak–Micic. Trieste, Ljubljana, Zagreb, BelgradeCernigoj, Delak, Micic. Linking Slovene, Italian and Serbian Avant-GardeTomaž ToporišicPART 3: The Neglected Avant-Garde Genres and Media6 Avant-Garde ManifestoLev Kreft7 An Exercise in Categorization: Avant-Garde Cinema of the 1920sErnest ŽenkoPART 4: Expressionism Reconsidered8 Expressionism and Weimar CinemaDarko Štrajn9 Franz Marc’s Avant-Garde Animal PaintingValentina Hribar SorcanPART 5: Post-Gravity Art10 The Avant-Garde Politics of Time: the Case of Post-Gravity ArtMojca Puncer11 Bodies-In-Freedom: from Futurist Aerial Theatre to Space ArtMaja MurnikIndex