Early Chinese Cinema and Two-Way World Flows

Inbunden, Engelska, 2026

2 889 kr

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Early Chinese Cinema and Two-Way World Flows explores how the term ‘transnational’ became a condition—a site of translations, transactions, and transitions in Chinese cinema. Drawing on a broad range of previously untapped sources by and about female directors, writers, actresses, and moviegoers, including personal recollections from the family of female director Marion Evelyn Hong, this book offers new perspectives on the dynamic multidirectional flow of films, culture, and communities in the early twentieth century at a time of intense global political upheaval. At its heart are ‘transnational’ films and the women, audiences, and immigrants who positioned themselves across borders.This pioneering scholarship shows how cinema emerges as an affective medium and a tool of negotiation, enabling women to navigate political and immigrant experiences. It also examines how film production and circulation became strategic responses to racial misrepresentation, with diasporic Chinese communities playing a central role in these early economic and cultural exchanges between China and the United States.By highlighting the role of film in diasporic culture and economic transactions, this book opens new frontiers for scholars of feminist, diasporic, and global film studies, revealing the layered complexities of Chinese and Chinese American diasporic film cultures. It was originally published as a special issue of the Journal of Chinese Cinemas.

Produktinformation

Utgivningsdatum2026-09-28
Mått174 x 246 x undefined mm
FormatInbunden
SpråkEngelska
Antal sidor204
FörlagTaylor & Francis Ltd
ISBN9781041313427

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Film inom Kultur
Referensverk och tvärvetenskap inom Samhälle och politik
Medievetenskap inom Samhälle och politik

Jane M. Gaines, Professor of Film, Columbia University, Professor Emerita of Literature and English, Duke University, holds the Society for Cinema and Media Studies Distinguished Career Award & an honorary doctorate (Stockholm University), published Fire and Desire: Mixed Race Movies in the Silent Era, Pink-Slipped: What Happened to Women in the Silent Film Industries?Kristine Harris is Associate Professor of History and Core Faculty in Asian Studies at the State University of New York, New Paltz. With a research focus on film and media, visual culture, and gender studies in twentieth-century China, she has served on the Steering Committee of Women and Film History International since 2022.

Introduction: Early Chinese Cinema and Two-way World FlowsJane Gaines, Kristine Harris, Yanfei Song and Xinyi Zhao1. The ‘Great Wall’ that Crossed the Ocean: Its rise and Fall—A Preliminary Study of the History of Changcheng Film CompanyMo Chen, Zhiwei Xiao and Yanfei-Song2. Rose Fong Goes for a Ride: Women, Moviegoing and Social Change in Early 20th Century San Francisco ChinatownKim K. Fahlstedt3. The ‘Queer Woman’ Between Shanghai and Nanyang, 1920s—1930sXuelei Huang 4. Playing the minzu/minzoku Card: Melodramas of Race and Nation in Colonial ManchuriaXinyi Zhao 5. Sticking with Trans: Reconsidering Chinese American Cinema through Anna May WongYiman Wang6. Love and duty (1931): Chinese Melodrama and the ‘Contradictions of Modernity’Jane M. Gaines7. Circuits of Mobility in Love and DutyKristine Harris 8. Marion Evelyn Hong Before and After the Curse of the Quon Gwon (1916)Lisa Kumaradjaja and Chris Kumaradjaja9. Introduction to the New York State Motion Picture Division Film Script Collection (1924 – 1937): Early Chinese Film ExportYan-fei Song