Dress History

Charlotte Nicklas is Senior Lecturer in History of Art and Design at the University of Brighton, UKAnnebella Pollen is Principal Lecturer in History of Art and Design and Director of Historical and Critical Studies at the University of Brighton, UK

• List of IllustrationsPrefaceNotes on ContributorsIntroduction – Dress History Now: Terms, Themes and Tools, Charlotte Nicklas and Annebella Pollen, University of Brighton, UK1. Dress Thinking: Disciplines and Indisciplinarity, Jonathan Faiers, Winchester School of Art, University of Southampton, UK2. ‘Gloves of the Very Thin Sort’: Gifting Limerick Gloves in the Late-Eighteenth and Early-Nineteenth Century, Liza Foley, National College of Art and Design, Republic of Ireland3. All Out in the Wash: Convict Stain Removal in the Narryna Heritage Museum’s Dress Collection, Jennifer Clynk and Sharon Peoples, Australian National University, Australia4. Traje de crioula: Representing Nineteenth-century Afro-Brazilian Dress, Aline T. Monteiro Damgaard, Denmark5. The Empress’s Old Clothes: Biographies of African Dress at the Victoria and Albert Museum, Nicola Stylianou, The Open University, UK6. Picturing the Material/Manifesting the Visual: Aesthetic Dress in Late-Nineteenth- Century British Culture, Kimberly Wahl, Toronto Metropolitan University, Canada7. Dress, Self-Fashioning and Display at the Isabella Stewart Gardner Museum, Christine M. E. Guth, Royal College of Art, UK8. ‘At Once Classical and Modern’: Raymond Duncan Dress and Textiles in the Royal Ontario Museum, Alexandra Palmer, Royal Ontario Museum, Canada9. An ‘Unexpected Pearl’: Gender and Performativity in the Public and Private Lives of London Couturier Norman Hartnell, Jane Hattrick, University of Brighton, UK10. From Kays of Worcester to Vogue, Paris: The Women’s Institute Magazine, Rural Life and Fashionable Dress in Post-war Britain, Rachel Ritchie, Brunel University, UK11. Radical Shoemaking and Dress Reform from Fabians to Feminists, Annebella Pollen, University of Brighton, UK12. Dress and Textiles in Transition: The Sungudi Sari Revival of Tamilnadu, India, Kala Shreen, Centre for Creativity, Heritage and Development, IndiaIndex

Students of dress history will benefit from reading this book from cover to cover. Each chapter provides insight into fascinating topics, while as a whole the book is a solid illustration of how different approaches within dress history rub alongside, borrow from and bounce off one another; it leads by example encouraging readers to be brave — apply multi-source and material culture enquiry, embrace a broad mind-set, and bring new methods to their subject ... This book supports and promotes a continuation of dress historians as passionate, rigorous and all-embracing scholars.