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An artist or mystic can refresh and revive a culture’s imagination by exploring his personal dream-images and connecting them to the past. Dante Alighieri presents his Divine Comedy as a dream-vision, investing considerable energy in establishing and alluding to its dates (starting Good Friday, 1300). Modern readers will therefore welcome a Jungian psychoanalytical approach, which can trace both instinctual and spiritual impulses in the human psyche.
Gwenyth E. Hood has translated the Book in Honor of Augustus (Liber ad honorem Augusti) by Pietro da Eboli (ACMRS, 2012).
AbbreviationsIntroduction1. Dante, Dreams, Jung, and His Composition Process2. Young Dante and His Contemporaries Interpret Dreams3. The Anima and Divine Eros: Beatrice, Lady Philosophy, and Gemma Donati4. Three Beasts or Four in the Dark Wood: Dante and the Shadow of His Civilization5. Neutrals, Acheron, Limbo, Infants, and Virtuous Pagans6. Limbo and Change7. Shadows in Upper Hell: Francesca and Paolo, Ciacco, and Filippo Argenti8. Deeper Shadows: Brunetto Latini and Ugolino of Pisa9. From Satan to Cato to Christ: Virgil and the Reconciliation of Reason10. Beatrice, the Heavenly Spheres, and the Rose of ParadiseBibliographyIndex