In this witty, wide ranging study that encompasses literature, genre film, No Wave music, BMW enthusiasts, and punk preppies, Daniel Traber seeks nothing less than to open up the unthought outer and inner boundaries of our identitarian times. By turns bracing and inviting, and deploying an arsenal of terms including culturcide, ‘cultures of one,’ non-identity, post-community, and dis-humanity, Traber recovers the self-making of cultural refuseniks as an opening toward the politics of the future.